Three New Shows Began Previews: A View From The Bridge, China Doll, And Misery, The Latter Two Of Which Are Showing Early Signs Of Seeing Box Office Success, Older Shows Saw A Decrease In Sales


This Week’s Notable Movements on Broadway are:

“China Doll” and “Misery” – Excellent Performers Right Out the Gate

In the week ending October 18, 2015, two new shows began previews and brought in over 100% of their gross potential right out the gate. The David Mamet play China Doll, which stars frequently collaborator and box office magic Al Pacino, brought in $1,072,111 at the box office in its first partial week of six performances. This represents an astonishing 112.0% of the gross potential. With a top ticket price of $350, the average paid admission was $166.37, which goes to show that David Mamet and Al Pacino is a winning combination for ticket buyers. The producers Jeffrey Richards and Jerry Frankel are also very fortunate to have secured these artists in their producing portfolio.

The show will officially open on November 19, 2015, and is scheduled to run for a limited engagement until January 31, 2016. Furthermore, the play Misery by William Goldman began previews on October 22, 2015, playing four performances in the first week of previews. With the Hollywood legend Bruce Willis making his Broadway debut in the play, Misery brought in 104.0% of its box office potential over the course of those four performances, with a weekly gross of $622,939. With a top ticket price of $297, the average paid admission was $134.63, and the audience capacity was filled to an average of 97.9%. Though not quite as amazing as China Doll, Misery is still an extraordinary box office performer in the first week of its run.

“A View From The Bridge” and Older Shows Slow Down

A third show also began previews in the week ending October 18, 2015: A View From The Bridge in a transfer production from the Young Vic in London. Without as recognizable a star as Bruce Willis or Al Pacino, this Arthur Miller classic has another great attraction that is unfortunately not as appealing in terms of box office: an experimental reinterpretation of a modern American classic and a successful run in a cool London theatre. Nevertheless, the producers decided to try their hand at bringing it to Broadway. In the first five preview performances, the outlook isn’t as positive as the other two shows that began previews this past week. Over the five shows, A View From The Bridge brought in $274,654, which represents 56.9% of its gross potential.

With a top ticket price of $248, the average paid admission was $65.02, which shows a fair amount of discounting to fill up to the average audience capacity of 79.9%. This may be a show that picks up once the reviews come out after opening, as the marquee names alone may not entice the average theatregoer. Meanwhile, as new shows are beginning performances, some of the older shows are slowing down. Of the 34 shows that were running this past week, 17 of them did show a decrease in ticket sales, despite an overall increase in the industry of $2,139,508.

Broadway Box Office Sees Overall Increase

This increase is mainly due to the two blockbuster first preview weeks. However, the average gross per show also did go up, from an average of $805,646 last week to an average of $814,596 this week. Anyway, most of the decreases were from older shows that are less enticing to theatre-goers than some of the newer fare.

The Following are the Broadway Ticket Sales Numbers for the Week Ending October 25, 2015:

Broadway-Show-Ticket-Analysis-10-25-15
Show NameGrossGrossTotalAttn
%Capacity
AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER
$529,853
6,375
87.86%
$83.11
A VIEW FROM THE BRIDGE
$274,654
4,224
79.92%
$65.02
ALADDIN
$1,500,799
13,537
97.98%
$110.87
ALLEGIANCE
$454,318
6,151
83.13%
$73.86
AMAZING GRACE
$476,631
6,359
68.41%
$74.95
AN AMERICAN IN PARIS
$1,416,288
12,535
93.32%
$112.99
BEAUTIFUL
$1,075,201
8,124
98.98%
$132.35
CHICAGO
$667,269
7,803
90.31%
$85.51
CHINA DOLL
$1,072,111
6,444
100.47%
$166.37
DAMES AT SEA
$215,450
4,156
89.11%
$51.84
FINDING NEVERLAND
$849,283
9,760
81.12%
$87.02
FOOL FOR LOVE
$371,345
4,673
91.41%
$79.47
FUN HOME
$745,661
5,841
98.67%
$127.66
HAMILTON
$1,489,233
10,708
101.32%
$139.08
HAND TO GOD
$208,655
2,805
45.42%
$74.39
JERSEY BOYS
$698,868
7,290
74.21%
$95.87
KING CHARLES III
$551,921
6,866
87.85%
$80.38
KINKY BOOTS
$981,435
9,453
82.98%
$103.82
LES MISÉRABLES
$744,129
8,673
76.94%
$85.80
MATILDA
$768,398
9,377
81.85%
$81.94
MISERY
$622,939
4,627
97.86%
$134.63
OLD TIMES
$415,176
4,946
83.55%
$83.94
ON YOUR FEET!
$1,096,202
11,825
90.24%
$92.70
SOMETHING ROTTEN!
$986,138
10,711
80.32%
$92.07
SPRING AWAKENING
$440,948
5,135
62.56%
$85.87
SYLVIA
$411,079
6,861
80.08%
$59.92
THE BOOK OF MORMON
$1,483,464
8,726
102.32%
$170.01
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
$701,819
6,873
84.39%
$102.11
THE GIN GAME
$446,983
4,494
80.05%
$99.46
THE KING AND I
$875,907
6,670
79.63%
$131.32
THE LION KING
$1,901,907
13,569
100.01%
$140.17
THE PHANTOM OF THE OPERA
$882,925
10,324
80.40%
$85.52
THÉRÈSE RAQUIN
$413,925
6,479
79.48%
$63.89
WICKED
$1,621,057
13,860
95.88%
$116.96
Totals
$27,391,967
266,254
85.53%
$99.14

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com