“Harry Potter and the Cursed Child” Begins Previews

J.K. Rowling Extends the Harry Potter Story in Two Plays

harry potterOn March 16, 2018, Harry Potter and the Cursed Child began previews at the Lyric Theatre, ahead of an opening night scheduled for April 22, 2018.  This two-play epic story is not a musical, which might be expected among fans accustomed to seeing their beloved source material sprinkled with musical pizzazz in order to make it to Broadway.  However, the Harry Potter brand name knows no rival in terms of reach and power, and it is to the great credit of J.K. Rowling and her producers Sonia Friedman and Colin Callender that the decision was made to take this in a different direction.  Not only did they decide to develop the work without relying on the attraction of a catchy musical score, but they also opted to make it a double-header pair of two plays.  Ultimately, this was the more commercial choice, as it immediately doubled their ticket revenue potential, as many diehard fans wouldn’t blink at spending twice as much, even at exorbitant Broadway prices, in order to see the entire experience in two sittings.  The performance calendar is such that audience members can opt to see the two plays on one day or on different days, and it is encouraged to see them both.  In crafting the script for this play, J.K. Rowling wrote a story in collaboration with Jack Thorne (King Kong) and the director John Tiffany (director of Once, Macbeth, The Glass Menagerie), and then Jack Thorne wrote the scripts.

19 Years After “The Deathly Hallows” Left Offharry potter

Rather than rehash the same stories from the beloved seven books and eight movies, Rowling and her team decided to create an entirely new story.  The plays begin 19 years after the Harry Potter books and movies ended, and the principal characters from those stories, Harry Potter, Ron Weasley, Ginny Potter, Draco Malfoy, and Hermione Granger, are all grown-up adults.  While they are definitely still characters in these plays, the stories encompass multiple generations, as their children are at Hogwarts.  In this way, Harry Potter and the Cursed Child allows an entirely new generation of Hogwarts students to discover the eccentricities of the wizarding school in their own way, while creating a relatable storyline involving parents’ concern for their children, in addition to extend Harry Potter and his peers’ stories into adulthood.  The Broadway production features the same lead cast as the London production, which opened in July 2016 and won a record-breaking nine Olivier Awards, including Best New Play, Best Director, and Best Actor for Anthony Boyle in his portrayal of Scorpius Malfoy, Draco Malfoy’s son.

The additional London stars who are reprising their roles in New York are Jamie Parker (The History Boys) as Harry Potter, Noma Dumezweni as Hermione Granger, Paul Thornley as Ron Weasley, Poppy Miller as Ginny Potter, Sam Clemmett as Albus Potter, and Alex Price as Draco Malfoy.  In addition to direction by John Tiffany, the show has movement by Steven Hoggett, scenic design by Christine Jones, costume design by Katrina Lindsay, lighting design by Neil Austin, sound design by Gareth Fry, and illusions & magic by Jamie Harrison.  The additional actors make up a large ensemble playing a variety of different parts, including David Abeles, Brian Abraham, Shirine Babb, Jess Barbagallo, Stephen Bradbury, Lauren Nicole Cipoletti, Joshua De Jesus, Jessie Fisher, Richard Gallagher, Susan Heyward, Geraldine Hughes, Edward James Hyland, Byron Jennings, Katie Kreisler, Joey LaBrasca, Andrew Long, Kathryn Meisle, Angela Reed, Dave Register, Adeola Role, James Romney, Malika Samuel, Alanna Saunders, David St. Louis, Stuart Ward, Madeline Weinstein, Alex Weisman, and Benjamin Wheelwright.  Meanwhile, the London show is ongoing while the original stars launch the Broadway production.

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Originally from Santa Fe, New Mexico, Jennifer studied Law and moved to New York City at age 24, where she still practices law and writes for abovethelaw.com. Jennifer's profession may be in the land-of-legal, but her passion is for Broadway where she can write about subjects as diverse as Broadway union contracts to show reviews. With a focus on entertainment law, Ms Chen still keeps her hand in with the latest industry legal developments that can keep playwrights, directors and licensing organizations up at night.
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