Discount Broadway Tickets For Giant

Giant Summary

  • Show Status: Opening Soon
  • Genre: Play
  • Giant is 2 hours and 20 minutes long, including an intermission of 15 minutes
  • 8 Shows per week
  • Previews Begin: March 11, 2026
  • Show Opens : March 23, 2026
  • Show Closes: June 28, 2026

Acclaimed drama explores Roald Dahl’s controversial legacy, confronting antisemitism, fame, and moral reckoning with haunting intimacy

What's Giant Like?

Giant is a riveting stage drama centered on author Roald Dahl during a crisis in 1983, when a newspaper review sparked accusations of antisemitism.

Setting and Characters

The play unfolds at Dahl’s Buckinghamshire home, where his wife Patricia Neal, along with close colleagues and friends, challenge him to confront the harm his words may have caused.

Conflict

As the public scandal grows, Dahl must navigate the tension between his celebrated career as a master storyteller and the personal flaws that threaten to tarnish his legacy.

Themes

The play grapples with questions of artistic genius versus moral responsibility, exploring how love, loyalty, and reputation collide when a writer’s prejudices surface.

Impact

Giant delivers an intimate yet unsettling portrait of creativity and conscience, asking whether great art can, or should, be separated from the failings of its creator.

Is Giant Good for Kids?

The play deals heavily with antisemitism: Dahl’s controversial 1983 review, which many considered anti-Semitic, is central. 

The dialogue is explicit in confronting these criticisms and fallout. It also includes mature moral complexity—conflict between Dahl and publishers, tense revelations, emotionally fraught exchanges.  

Some of its content is uncomfortable and “dark” (on purpose), including arguments about Israel/Palestine, depictions of hurtful language, and character behavior that’s not polished or “kid-friendly.”

So, no its not good for kids.

Giant on Broadway Background

Origins in London

Giant premiered at the Royal Court Theatre in London in September 2024. Written by Mark Rosenblatt and directed by Nicholas Hytner, the play immediately sparked conversation for its bold depiction of Roald Dahl during a moral and personal crisis. 

The Royal Court run drew strong critical responses, praising both the sharp writing and the unflinching performances.

West End Transfer and Acclaim

Due to critical and audience success, the play transferred to the Harold Pinter Theatre in April 2025 for a West End engagement. This production solidified its reputation, winning multiple Olivier Awards in 2025, including Best New Play and Best Actor for John Lithgow, who portrayed Dahl. 

Lithgow’s performance was celebrated for balancing charm, wit, and deeply troubling flaws, creating a layered portrait that felt both intimate and unsettling.

Broadway Transfer

Following its triumph in London, Giant was announced for Broadway in 2026, with previews beginning March 11, 2026, at a Shubert theatre to be determined. The run is scheduled as a 16-week limited engagement, bringing Lithgow back to Broadway to reprise his Olivier-winning role. 

The Broadway staging will also reunite much of the London creative team, preserving the vision that earned acclaim overseas.

Significance

The transfer marks not only the international recognition of Rosenblatt’s writing but also Broadway’s willingness to present challenging, morally complex stories alongside its commercial hits.

With its celebrated cast and creative pedigree, Giant is expected to become one of the most talked-about plays of the 2026

Theatre Information

Shubert Theatre

225 West 44th Street
New York, NY 10019
Seats: 1,468
Entrance: 44th Street, between 7th and 8th Ave.
Theatre Information

Shubert Theatre Seating Chart

Cast Members

Roald Dahl
John Lithgow
Jessie Stone
Aya Cash
Tom Maschler
Elliot Levey
Felicity Crosland
Rachael Stirling
Hallie Taylor
Tessa Bonham Jones
Wally Saunders
Richard Hope

Producers

Brian and Dayna Lee

Stephanie Kramer

Nicole Kramer

Josh Fiedler

Robyn Goodman Royal Court Theatre

Production Credits

Director
Sir Nicholas Hytner

Creative Team

Playwright
Mark Rosenblatt