“Old Times” Starts Broadway Performances

Roundabout Theatre Company Production of Harold Pinter Play

old timesOn September 17, 2015, Old Times began performances at the American Airlines Theatre, one of the two Broadway venues owned by the not-for-profit theatre institution, the Roundabout Theatre Company. The show will have its official opening night on October 6, 2015. This production is directed by Douglas Hodge and stars Clive Owen, Kelly Reilly, and Eve Best. The play, written by Harold Pinter, premiered on Broadway in November 1971, shortly after its June 1971 world premiere at the Aldwych Theatre in the West End produced by the Royal Shakespeare Company. Though many Pinter plays have been seen on Broadway since this time, including Butley, The Innocents, No Man’s Land, Otherwise Engaged, Betrayal, The Hothouse, The Caretaker, and The Homecoming, this is the first revival of Old Times on Broadway. It follows a recent West End revival, which was a different production by a different director, Ian Rickson, that took place at the recently renamed Harold Pinter Theatre in London (formerly the Comedy Theatre). In that production, the two female parts – Anna and Kate – were played on alternate nights by the two actresses portraying them – Kristin Scott Thomas and Lia Williams. Though that choice was not made for this Broadway production, it sheds some light on the existential profundity at the heart of this great play by Harold Pinter.

Clive Owen Makes His Broadway Debut, Alongside Kelly Reilly and Eve Bestclive owen

Clive Owen is an actor well known for his screen roles for which he has won a Golden Globe Award and been nominated for an Academy Award for his performance in the 2004 film Closer. He is presently starring in Steven Soderbergh’s television series The Knick on Cinemax, and he is also well known for his part in the 1998 film Croupier. He will be making his Broadway debut in this production of Old Times in the role of Deeley. As for his two co-stars, Kelly Reilly is also making her Broadway debut; she is well known for her role on the HBO television show True Detective. Eve Best, however, has been on Broadway twice before: in the 2007 production of Harold Pinter’s The Homecoming in the role of Ruth, and also in the 2007 production of Eugene O’Neill’s A Moon for the Misbegotten in the role of Josie Hogan. In Old Times, Kelly Reilly plays Kate, and Eve Best plays Anna. The play rehearsed in London out of convenience for the creative team, as it is a very British play. Douglas Hodge, also a British director, has previously directed two Broadway shows: Cyrano de Bergerac and La Cage aux Folles. The music is composed by Thom Yorke of the band Radiohead.

A Married Couple and An Old Friend

In the play, Deeley and Kate are a married couple awaiting the arrival of Kate’s old friend, Anna. Time and again, the three individuals have different memories of the ways in which they first met, or interacted, in their past. As the play unfolds, it becomes clear that there was some sort of affair between Anna and Deeley in the past. Also, however, it becomes clear that nothing is quite as it might first seem. Since the play first premiered in 1971, it has left audiences stunned and moved. This production is sure to make an indelible impression on the 21st century audiences that are lucky enough to see it.

Radiohead’s Thom Yorke to Compose for Pinter’s “Old Times”

Unusual Collaboration Between Music and Theatre Worlds

Thom Yorke

On September 17, 2015, the revival of Harold Pinter’s play Old Times will begin previews at the American Airlines Theatre in a Roundabout Theatre Company production. Beyond the fact that Clive Owen is making his Broadway debut in the role of Deeley, there is something else out of the ordinary taking place with this production. The music is not composed by a traditional theatrical composer, but rather by the legend of alternative rock music Thom Yorke, most famously of the band Radiohead. Thom Yorke is the singer and main songwriter of Radiohead, a band renowned for its innovations in experimental and alternative rock since it began releasing songs in 1993. Radiohead, though renowned around the world and particularly in the United States, is originally from Oxfordshire, England. Specifically, Yorke was born in Wellingborough, Northamptonshire in 1968, and then his family settled in Oxfordshire in 1978, where he would later meet his future bandmates. Radiohead has now sold over 30 million albums worldwide. Their most recent album release was in 2011; this was their eighth studio album. They are reportedly at work on a ninth album. In addition, Thom Yorke has been building a solo career since his first solo release in 2006. His second solo album was released in 2014, entitled Tomorrow’s Modern Boxes.

First Broadway Revival of Classic Pinter Playold times

Old Times premiered on Broadway in 1971, at the time being the fifth production of a Pinter play on Broadway. The 2015 revival will be the second time the show has been on Broadway. Its original premiere was at the Aldwych Theatre in London’s West End in June 1971, and the Broadway production followed later than year in November. A recent London revival took place in 2013 at the recently renamed Harold Pinter Theatre (formerly the Comedy Theatre), directed by Ian Rickson and starring Rufus Sewell, Kristin Scott Thomas, and Lia Williams. This Broadway revival, on the other hand, will be directed by Douglas Hodge, and will star Clive Owen in his Broadway debut, along with Eve Best and Kelly Reilly. The play deals with the concepts of identity, adultery, and honesty. It can be interpreted in various ways, one of which is that all three individuals are different people, and the other is that the two women are interchangeable. In fact, in the recent London revival, the two actresses switches roles on various nights, having prepared to play both roles. Though this will not be the case in the Broadway production, it sheds some light into the fascinating ways in which this play can be viewed.

An Increasingly Versatile Move for Thom Yorke

Thom Yorke is well known for pushing frontiers in his musical styles, and recently he has also diversified the ways in which his music is released. For his recent 2014 solo album, Tomorrow’s Modern Boxes, he opted to release the songs via BitTorrent, rather than through the traditional outlets. He then performed tracks from the album at a secret performance at this year’s Latitude Festival. Now, in additional to taking to the digital, Yorke is taking to arguably the most traditional performance art form: theatre. While he has a great deal of experience performing on stages from pubs to stadiums, he will now allow his music to be played on the theatrical stage for the first time.

“An Act of God” Opens on Broadway

Jim Parsons as Our Holy Father

an act of godOn May 28, 2015, An Act of God opened at Studio 54, a Roundabout Theatre Company Broadway venue. It had been running in previews since May 7, 2015. Presently, it is scheduled for a limited engagement to close on August 2, 2015. Although much of the excitement in the Broadway community these days regards the Tony Awards, which will happen this upcoming weekend, An Act of God made the unusual choice to open just after the cut off for Awards consideration. Therefore, like God in heaven above, the play is above all the awards hubbub, and it thrives independent of any commendation or lack there of from the Tony nominating committee and voters. The play stars Jim Parsons (“The Big Bang Theory,” Harvey, The Normal Heart) as God, and the cast also includes archangels Michael, played by Christopher Fitzgerald, and Gabriel, played by Tim Kazurinsky. The play is directed by Joe Mantello, who appeared as an actor alongside Jim Parsons in The Normal Heart, and whose directing credits include Airline Highway, Casa Valentina, and 9 to 5. The play is written by David Javerbaum, the producer of “The Late Late Show with James Corden” and previous writer and producer of “The Daily Show with Jon Stewart.” It is based off his book “The Last Testament: A Memoir by God.”

Generally Positive Reviewsan act of god

Most all critics gave the play a standing ovation. Charles Isherwood at The New York Times found Parsons to be an adorable and funny version of God, and that the play is divinely funny itself. David Cote from Time Out New York found this play to be so good that it went beyond comfort, instead rattling the audience’s complacencies. Frank Scheck from The Hollywood Reporter found Parsons to be surprisingly authoritative as the Great Almighty, and enjoyed the play greatly. Jesse Green from Vulture loved how the play moved with great ease between camp and profundity. Only Marilyn Stasio from Variety was more on the fence, deciding it was a waste of time to review a play by God, but she did praise Parsons’ performance as a source of light.

Box Office Started Well, Now Just Okay

When the show began previews on May 7, 2015, the first week of box office looked divine. Over the course of its first four performances, An Act of God brought in $477,703, which represented 93.01% of its gross potential. However, in the three full weeks since, the show has decreased each week in its weekly grosses. This past week, the week ending May 31, 2015, the show brought in $693,379, which represents only 68.80% of its gross potential. With a top ticket price of $349.00, the average paid admission was $93.92. This is a decrease from the previous week, when the average paid admission was $109.95. Therefore, the production is offering more discounts that they did the previous week. However, it seems to have worked, as the average audience capacity increased to 91.7%, up from 82.5% the week before. After these post opening reviews, interest should increase, and once the Tony Awards buzz wears down, An Act of God has the potential to have a successful summer.

“An Act of God” Begins Previews

Jim Parsons Stars in this Satirical Play

an act of godOn May 7, 2015, An Act of God began previews at Studio 54, produced by the Roundabout Theatre Company. In choosing to opening after the late April cut-off for Tony consideration, Roundabout was not positioning this show to succeed on the renown achieved by awards. Though it will be eligible for next year’s awards, it is generally the case that shows which have long ago shuttered before Tony consideration are often neglected or slighted. For example, Jez Butterworth’s highly commended play The River, which starred Hugh Jackman, broke box office records, and closed this fall after a limited engagement, did not receive any Tony nominations for this year’s awards. In any case, the show is sure to be an exciting one among audience members, if only for its lead actor, the beloved comedic star Jim Parsons. Parsons first came to fame from his television roles such as on “The Big Bang Theory,” and has since warmed many hearts on Broadway in Harvey and The Normal Heart. Though this play is not exactly a one-man show, as two other actors are billed in the cast, it is principally a showcase for Parsons’ comedic talents, as he plays none other than God. The play is written by David Javerbaum, based on his book The Last Testament: A Memoir by God. Javerbaum is also well known for being head writer and executive producer of The Daily Show with Jon Stewart, and soon to be the same on The Late Late Show with James Corden.

The Mysteries of Existence and Other Laughsan act of god

An Act of God professes to be a means for God to communicate his answers to the great questions such as the mysteries of existence. Satirical in nature, Jim Parsons speaks in a formalized godly voice to shed light on these profundities regarding existence and life on earth. The show is directed by Joe Mantello, who worked with Jim Parson as an actor in The Normal Heart, and who has directed many Broadway shows including Airline Highway, The Last Ship, and Casa Valentina. The two other roles are Michael, played by Christopher Fitzgerald (The Merchant of Venice, Chicago), and Gabriel, played by Tim Kazurinksy (“Saturday Night Live,” Police Academy films). The scenic design is by Scott Pask, the costumes are by David Zinn, the lighting design is by Hugh Vanstone, sound design is by Fitz Patton, and projection design is by Peter Nigrini. When David Javerbaum launched his book, he also coined the twitter handle @TheTweetOfGod. Now on Broadway, this twitter campaign is adapted for the stage show, making comments from the mouth of God in reference to the Broadway play.

A Divine Box Office Launch

In the first partial week of performances, in which An Act of God had four shows, the play brought in $477,703 at the box office, which represents 93.01% of its gross potential. This is an excellent feat for a new play with a small cast, especially amidst all the Tony excitement for other nominated shows. The following week, when the show had a full week of eight performances, it brought in $738,682, which is a slight decrease in percentage reached of gross potential, amounting to 73.3%. Still, the average paid ticket was $113.84, demonstrating that people are interested in paying top dollar for this hilarious and unusual show on Broadway. The show opens on May 28, 2015, and is currently scheduled to close on August 2, 2015.

“Cabaret” Concludes Its Run

Last Performance March 29 at Studio 54

cabaret Roundabout Theatre on BroadwayOn March 29, 2015, the Roundabout revival of Cabaret shuttered its doors at Studio 54, one of Roundabout Theatre Company’s Broadway venues. The revival has been playing since it began previews on March 21, 2014, ensuring that the show stayed on just past the one year mark. This production of Cabaret was based off an earlier production from 1993, also directed by Sam Mendes and co-directed by Rob Marshall, with choreography by Rob Marshall. Furthermore, Alan Cumming reprised his renowned role as the Emcee from that production, and he stayed with this revival for the entire run. It therefore makes sense that the production would choose to close upon the end of his contract, rather than rehearsing a replacement who would probably not fare as well as the box office. Instead, the focus has been on ensuring that his co-star, the leading lady playing Sally Bowles, would attract enough ticket buying attention. When the show began last year, Michelle Williams played the role of Sally. She received mixed reviews, and was able to attract some but not wildly outstanding box office attention. Michelle played that role until November 9, 2014. Throughout her stint, the highest weekly gross was $839,690, which took place in the week ending August 3, 2014.

Emma Stone as Sally Bowlesemma stone cabaret

Beginning November 11, 2014, Emma Stone stepped into the role of Sally Bowles, which she continued in until February 15, 2015. She ended up extended her run two weeks longer than originally planned. Emma Stone received excellent notices, and furthermore she brought the box office higher than it had been ever before in the run. The weekly gross box office record while she was in the lead was $1,051,850, which took place in the week ending January 4, 2015. That was one of two weeks in which the show made it into the millionaire’s club, the other being the week ending December 28, 2014. The combination of the high tourist Christmas season, along with Emma Stone, was a winning mix. Emma Stone was riding high off of her excellent reviews in the movie Birdman, where she played the daughter of a Broadway actor, with the movie primarily taking place backstage in a Broadway theatre. It was therefore fitting when she stepped into the role of Sally Bowles soon thereafter.

Sienna Miller as Sally Bowles

sienna millerTo complete the rest of Alan Cumming’s run, from February 17, 2015 until the last performance on March 29, 2015, Sienna Miller stepped into the role of Sally. Miller had been on Broadway once before, as the title role in After Miss Julie in 2009. Though she didn’t receive excellent reviews then, she has certainly captivated the attention of America through her screen performances in such recent hits as Foxcatcher and American Sniper. Miller, though not as successful as Stone, also did fairly well at the box office. She reached a high note in the final week, with a weekly gross of $935,989, although the credit is not due entirely to her of course, as a show generally picks up its ticket sales in the final week before closing. All in all, this revival of Cabaret can be considered a success, but the musical is such a classic that it almost supersedes the concept of success and failure. Whether or not the Tony committee chooses to recognize a revival of a revival, there will always be an audience delighted to see Cabaret.

“On the Twentieth Century” Begins Previews

A Roundabout Production at the American Airlines Theatre

on the twentieth centuryOn February 13, 2015, On the Twentieth Century begins previews at the American Airlines Theatre. Produced by the non-for-profit Broadway and Off-Broadway powerhouse Roundabout Theatre Company, this revival marks the third Broadway production of the musical. With book and lyrics by Betty Comden and Adolph Green, and music by Cy Coleman, it first premiered in 1978, directed by Harold Prince. The 2015 revival is directed by Scott Ellis, who has recently helmed such works as The Elephant Man, You Can’t Take It With You, Harvey, Curtains, and The Little Dog Laughed. He is also the Roundabout Adams Associate Artistic Director, and has been nominated for six Tony Awards. Opening night is scheduled for March 12, 2015, and it is scheduled to be a limited engagement that closes on July 5, 2015. If it is successful, it may extend through the end of summer.

Cast and Creative Team

The musical stars Kristin Chenoweth, who is well known for being the original Glinda in Wicked (Tony kristin chenowethnomination), has won a Tony Award for her performance of Sally Brown in You’re a Good Man, Charlie Brown, and who has also branched into television with such shows as The West Wing and Pushing Daisies. Alongside Chenoweth will be Peter Gallagher (The Country Girl, Noises Off, “the O.C.”, “American Beauty”), Andy Karl (Rocky Balboa in Rocky the Musical), Mark Linn-Baker (Relatively Speaking, Losing Louie), Michael McGrath (Tony Award winner for Nice Work if You Can Get It), and Mary Louise Wilson (The Women, Cabaret, The Importance of Being Earnest). The choreographer is Warren Carlyle, who won a Tony Award for his choreography for After Midnight, which he also directed). Scenic design is by David Rockwell, lighting is by Donald Holder, sound design is by Jon Weston, and costume design is by William Ivey Long. The musical director is Kevin Stites, and orchestrations are by Larry Hochman, with dance arrangements and incidental music by David Krane.

The Twentieth Century: A Luxury Train


peter gallagher kristin chenoweth

The musical’s title refers to being aboard a luxury train called the Twentieth Century, which is traveling from Chicago to New York. The business aboard the train is, not coincidentally, the theatre business. A temperamental actress named Lily Garland (Kristin Chenoweth) is at odds with her flailing producer named Oscar Jaffee (Peter Gallagher). He is at once trying to woo her romantically, and at the same time to play the lead part in his upcoming show, which has not yet been written. The musical is a screwball comedy, with elements of farce as well as operetta. The musical is based on a straight play of the same name from 1932, written by Ben Hecht and Charles MacArthur, which was turned into a film in 1934 called Twentieth Century directed by Howard Hawks. To complicate the matter, Hecht and MacArthur based their play on an unproduced work by Charles Bruce Millholland called Napoleon of Broadway, which is based on his real life experiences with the legendary producer David Belasco, who left his name to the theatre on 44th Street, where Hedwig and the Angry Inch is now playing.


“The Real Thing” Opens on Broadway

A Stoppard Play with an All-Star Cast

the-real-thing-pink-and-blackOn October 30, 2014, The Real Thing opened at the American Airlines Theatre, one of the Roundabout Theatre Company’s three Broadway venues. The play, a classic by Tom Stoppard (Arcadia, Rock n Roll, Rosencrantz and Guildenstern are Dead) originally produced in 1982, was directed by Sam Gold, a relative newcomer who has taken New York theatre by storm with such productions as The Realistic Joneses, Seminar, and many Off-Broadway hits. With such a creative team behind it, the production was able to a number of Hollywood stars. Two are making their Broadway debuts: Maggie Gyllenhaal (The Dark Knight, Donnie Darko, White House Down) and Ewan McGregor (Trainspotting, Big Fish, Star Wars). Furthermore, the show stars Cynthia Nixon (Sex and the City, Broadway productions including Wit, Rabbit Hole, Angels in America) as well as Josh Hamilton (Dead Accounts, The Coast of Utopia, Proof). With all of these powerhouse names behind it, the show was destined to be a critical hit. However, something the perfect ingredients do not make the perfect stew, and in this case, the result was sadly underwhelming.

Mixed Reviews from Critics

The most influential of New York theatre critics, Ben Brantley of The New York Times, gave The Real Thing a review that was all but playwright Tom Stoppard event gray whitedisdainful. He called the revival “tinny,” and claimed that the production lacked any real evidence of chemistry between the performers, or any sort of deep feelings in general. The beauty of Stoppard’s work often lies in the fact that his words may be highly complex and intellectual, but there is a deep humanity bubbling beneath the surface. Brantley’s view is that this production (due to a mixture of casting and directing) lacked that crucial underlayer. Other reviewers were less critical, falling prey to the combination of writing and fame onstage that can persuade the audience they are enjoying a well-done production. Mark Kennedy of the Associated Press, for example, thought the revival was thoroughly excellent, and enjoyed the interspersed tunes that Sam Gold opted to include between scenes, often hummed along by the actors. Thom Geier of Entertainment Weekly also praised the production, perhaps delighted merely to see his Hollywood favorites onstage. He claimed Gyllenhaal’s performance oozed poise and sophistication, which may be true, but the argument could also be made that the softness beneath was missing. David Rooney from the Hollywood Reporter was more on the fence, correctly praising Ewan McGregor’s Broadway debut for the professional excellence of his performance, but also calling Gold’s direction “hollow.”

Struggling at the Box Office

It is always interesting to follow how the combination of recognizable playwright, famous actors, and critical response has on the box office. In this case, audiences were not moved by the result, certainly not enough to make this show stand out financially. The show has never reached more than 77.56% of its gross potential in any given week, and the weekly numbers have been squarely in the $400,000 range for each week. With stars such as McGregor, Gyllenhaal, and Nixon onstage, this is almost an insult. And for the true theatre aficionados, the fact that a Stoppard play would be given this treatment is just a shame. However, given that the revival is produced by Roundabout, a not-for-profit theatre institution with an endowment and a subscriber base to keep it afloat, the show will likely be able to play out its intended limited run. The show is scheduled to close on January 4, 2015.

Tom Stoppard’s “The Real Thing” Begins Performances

A Legendary Playwright and an A-List Cast

the real thingOn Oct 2, 2014, the second revival of Tom Stoppard’s The Real Thing began previews at the Roundabout Theatre Company’s Broadway venue, the American Airlines Theatre. The official opening will take place on October 30, 2014. Arguably the world’s greatest living playwright, Tom Stoppard has written countless works for the stage including the Lincoln Center produced trilogy The Coast of Utopia, as well as Arcadia, Rosencrantz and Guildenstern are Dead, Rock ‘n’ Roll, and Indian Ink, which is simultaneously being produced by Roundabout in their Off-Broadway venue, The Laura Pels Theatre. Of the seven actors in the cast, four are household names, and five are making their Broadway debuts. Maggie Gyllenhaal, who is known for such films as The Dark Knight, Donnie Darko, Secretary, and White House Down, is making her Broadway debut in the role of Annie. Meanwhile, Ewan McGregor, celebrated for his roles in such films as Trainspotting, Big Fish, and Star Wars: Episodes I, II, and III, is making his Broadway debut in the role of Henry. Cynthia Nixon, the beloved “Sex and the City” star whose stage credits are numerous, plays Charlotte, and Josh Hamilton, known for The Bourne Identity, J. Edgar, and Ice Age, plays Max. The remaining three actors – Alex Breaux, Ronan Raftery, and Madeline Weinstein – are all making their Broadway debuts as well.

Cynthia Nixon Returning to Her Groundbreaking Roots

In the original Broadway production of The Real Thing in 1984, Cynthia Nixon was cast as the witty young Debbie. This was her second Broadway role, following The Philadelphia Story in 1980. That production of Stoppard’s play was directed by Mike Nichols, who was so impressed with Nixon’s performance that he suggested she play a role in David Rabe’s Hurlyburly, when The Real Thing had only just opened. She took the opportunity and traveled to Chicago to premiere Hurlyburly, leaving the role of Debbie to her understudy. When she returned to New York for Hurlyburly’s Broadway transfer, she was informed that her replacement in The Real Thing was not doing very well, so she did an unprecedented thing. She made Broadway history by being the first and only person ever to play two non-repertory Broadway roles simultaneously. This was possible because her role in Hurlyburly only appeared in two scenes – the first and one near the end – and her role in The Real Thing only came on for one scene-stealing performance at the beginning of the second act. It also helped that her character in Hurlyburly had undergone a significant transformation – from innocent to depraved – between her two scenes. Now, decades later, Nixon returns for this revival to play the more principal role of Charlotte.

Sam Gold Continuing His Young Success Story

sam gold director

Sam Gold

The director of this production of The Real Thing is Sam Gold, who directed his first Broadway show in fall 2011, and this marks his fifth Broadway credit. This is in addition to numerous high-profile Off-Broadway directing credits. A graduate of the Juilliard directing program, Sam Gold stormed onto the scene and immediately was credited with a new type of directing: one defined by a certain stilted awkwardness. Though this does not necessarily imbue all of his work, it does connect him to the millennial generation and let him stand out as an original artist. His five Broadway credits to date are Seminar (2011-2) by Theresa Rebeck starring Alan Rickman, Picnic (2013) by William Inge starring Ellen Burstyn, The Realistic Joneses (2014) by Will Eno starring Toni Collette, Michael C. Hall, Tracy Letts, and Marisa Tomei, The Real Thing (2014), and the upcoming Broadway transfer of Fun Home (2015). It is rare for such a young director to be given so many early opportunities to showcase his talents, and this pairing with Tom Stoppard is a whole new level of achievement in his career.

The New Revival of Kander and Ebb’s ‘Cabaret’ Begins Previews

Willkommen. Bienvenue. Welcome.
These three words – or rather, this one word in these three languages – is deliciously familiar to Broadway fans far and wide.

cabaret Roundabout Theatre on Broadway It is therefore with great anticipation that audiences welcome the new revival of Cabaret to Broadway, which begins performances tonight: March, 21, 2014.  These are the lyrics that begin the opening number of John Kander and Fred Ebb’s musical masterpiece, sung by the ultimate provocateur, the Master of Ceremonies.  This role, in a turn of events generally unusual for Broadway but not for this show, is revived along with the musical itself.  Alan Cumming, the beloved Scottish actor most recently seen on Broadway in his one-man adaption of William Shakespeare’s Macbeth, will reprise the Emcee role, which he also played in 1998 when the musical last appeared on Broadway.

The 2014 revival is produced by the Roundabout Theatre Company at one of their two Broadway houses: Studio 54 on West 54th Street.  This marks the show’s third Broadway revival.  It originally premiered in 1966, when it ran for 1,186 performances (including previews) and was nominated for 11 Tony Awards, winning 8 (including Best Musical, Best Original Score, Best Performance by a Featured Actor – Joel Grey as the Master of Ceremonies, and Best Director – Harold Prince).  Cabaret’s first Broadway revival took place in 1987, with Harold Prince once again directing and with Joel Grey reprising his role as the Emcee.  The second revival played 2,377 performances, becoming the third-longest running Broadway revival in history, and featured Alan Cumming as the Emcee, a role he had debuted in the 1993 London revival.

When Alan Cumming first played the Emcee, he significantly altered the interpretation from that portrayed by Joel Grey.  Grey had embodied the consummate asexual entertainer, but Cumming took on the role in a highly sexualized fashion.  Still, both interpretations were so inimitable that each actor was asked to reprise his role for the following revival.  Furthermore, following in Harold Prince’s tradition of the director reprising his position for this show, Sam Mendes and Rob Marshall, who co-directed the last revival, will also direct the 2014 production.

Starring alongside Cumming in this revival is Michelle Williams in her Broadway debut, playing the role of Sally Bowles: the 19 year-old English cabaret performer who falls in love with a young American writer.  Williams rose to fame in the late 90s on the WB’s teen television drama Dawson’s Creek.  She was then nominated for an Academy Award for her role in Brokeback Mountain, and also garnered acclaim for her performances in I’m Not There, Synecdoche New York, Shutter Island, and Blue Valentine.  The musical also features Tony Award nominees Linda Emond (Death of a Salesman, Life x 3) as Fraulein Schneider, and Danny Burstein (Follies, Golden Boy, South Pacific, The Drowsy Chaperone) as Herr Schultz.

The musical officially opens on April 24, 2014.  Though the last revival ran for 6 years, this is slated to be a 24-week limited engagement, with the closing date scheduled for August 31, 2014.

Roundabout To Bring Tom Stoppard’s “The Real Thing” and Donald Margulies “Dinner with Friends” To Broadway

Roundabout Theatre CompanyThe Roundabout Theatre Company, which is currently represented on Broadway by The Mystery of Edwin Drood and the soon-to-open The Big Knife, has announced that its 2013-2014 Broadway season will include revivals of the plays Dinner With Friends and The Real Thing.

A favorite of Tom Stoppard fans, The Real Thing is about a playwright whose marriage is collapsing — both on stage and in real life. The 1984 play was most recently seen on Broadway in 2000 in an acclaimed production starring Stephen Dillane and Jennifer Ehle.

Dinner with Friends, written by Donald Margulies, is a Pulitzer Prize winning play that previously enjoyed a run Off-Broadway, but will be making its Broadway premiere with the Roundabout production. Tracking the journey of two couples, it is also a play that deals with the subject of marriage.