“All The Way” Concludes Its Run, Breaking Box Office Records

Bill Rauch’s Oregon Shakespeare Festival

It all started in a small Shakespeare-themed town called Ashland, Oregon.  Bill Rauch, the artistic director of the Oregon Shakespeare Festival, is as prolific as he is revolutionary.  Since taking on this position in 2007, Rauch has contributed a great deal to this already extraordinary year-round festival, which takes place in three beautiful theatres with one company of actors performing a dozen shows in repertory.  One of his initiatives was to incorporate more historical themed shows, beyond Shakespeare’s history plays.  And thus began his working relationship with Robert Schenkkan, the playwright who would go on to write the historical drama All The Way, which would go on to take Broadway by storm, directed by Bill Rauch.  It is the story of United States president Lyndon B. Johnson, during the period of Civil Rights unrest in the 1960s, and Martin Luther King, Jr. is also a prominent character.

“All The Way” Begins Its Ascent To Vast Success

Bryan Cranston in all the way on broadwayWhen All The Way transferred from Ashland, Oregon to New York, New York, it got an entirely new cast with one exception: the role of Walter Jenkins, the top aide to Lyndon Johnson, was still played by Oregon Shakespeare Festival company member Christopher Liam Moore, who is also the life partner of Bill Rauch.  Most notably, for the Broadway production, the lead role of Lyndon B. Johnson was given to Bryan Cranston, who has built a lengthy career as a screen actor, and who has recently taken the world by storm in portraying Walter White on the television show Breaking Bad.  With this beloved and relevant actor leading the cast, the excellent play was able to perform excellently at the box office.  In the beginning of its run, the play was grossing a weekly average of $700,000 to $900,000, which is not shabby for a straight play on Broadway.  However, once the Tony Awards nominations were on the horizon, the play broke through the million dollar mark, and the achievements continued from there.

Making Broadway History

All The Way won the Tony Award for Best Play, as well as the Drama Desk Award for Outstanding Play.  Furthermore, Bryan bryan cranston on broadway as Lyndon B Johnson in all the wayCranston won the Tony Award for Best Performance by a Leading Actor in a Play.  In the week immediately following the Tony Awards, the play’s box office performance soared to a weekly gross of $1,229,459.  The following week, it grossed an outstanding $1,425,001, setting a new all-time sales record for a straight play on Broadway.  But that was not all.  In the week ending June 29, 2014, which was its final week of performances, All The Way grossed a phenomenal $1,623,495, once again breaking that record for the highest grossing straight play of all time on Broadway.  One can only guess how well the show would have continued to do had it stayed open for more weeks, but unfortunately scheduling did not allow that hypothetical scenario to play out.  In that last week, though, it already earned 118.66% of its gross potential, due to its sale of premium tickets.  The average ticket price was a marvelous $141.62, and the top ticket price was $225.00.  Somehow, of the total seats over 8 performances of 11,376, the show sold 11,464.

“The Great Society” – The Sequel To “All The Way”

This was a case where a straight play that began its run as a questionable bet became a slam dunk.  Even with a star actor with equivalent fame to Bryan Cranston, many other plays have performed much less well.  For All The Way, all the stars aligned, and the show went on to make Broadway history.  Now, in this upcoming season at the Oregon Shakespeare Festival, Bill Rauch will direct Robert Schenkkan’s follow-up to All The Way, which is a play called The Great Society.  Beginning performances July 27, 2014, this sequel spans the years 1965 to 1968, wherein Lyndon Johnson struggles to fight the war on poverty, while also reckoning with the war in Vietnam.  Time will tell whether The Great Society will also transfer to Broadway, and whether Cranston might reprise his role, but with the outstanding success of All The Way, there is a high chance that it will.

The Winners Are In For The 68th Annual Tony Awards!

Hugh Jackman Hosts, Many Tune In

On Sunday, June 8, 2014, the Tony Awards were held at Radio City Music Hall.  As anticipated, they were a gigantic success, and Hugh Jackman received enormous praise for his hosting prowess.  Much discussion was had about Jackman’s very bouncy opening number, which was as aerobic as it was silly, but still it was a very fun way to start the show.  This is the fourth time that Jackman has hosted the event, while another frequent host Neil Patrick Harris took home the award for Best Leading Actor in a Musical for his role as Hedwig in Hedwig and the Angry Inch.  Though that category was pretty much considered to be a shoe-in, many other winners took the audience and theatre fans worldwide by surprise.  The ceremony was also full of spectacular performances by nominated shows.  7.02 million viewers tuned in to watch the live telecast on CBS, which was a dip from last year’s ratings of 7.24 million viewers.  Unlike other awards shows, there was no official online live stream of the event, but still many people have been watching online clips since the event’s original airing.

a gentleman's guide to love and murder a new musical comedyTied for the Most Wins: A Gentleman’s Guide and Hedwig and the Angry Inch

As many predicted, the Tony Award for Best Musical went home with A Gentleman’s Guide to Love and Murder, a sleeper hit that beat strong odds to win this coveted award.  This show also earned the award for Best Direction of a Musical for Darko Tresnjak, the artistic director of Hartford Stage where the show first premiered.  He is the first Connecticut artistic director ever to win a Tony Award, and the first Broadway transfer for that theatre since 2003’s Enchanted AprilA Gentleman’s Guide also took home the awards for Best Book of a Mhedwig and the angry inch neil patrick harris titleusical (Robert L. Freedman) and Best Costume Design of a Musical (Linda Cho), which tied it for the most wins: four.  The other show to win four awards was Hedwig and the Angry Inch, which took home the award for Best Revival of a Musical, as well as Best Performance by an Actor in a Leading Role in a Musical for Neil Patrick Harris.  Furthermore, Hedwig earned the award for Best Performance by an Actress in a Featured Role in a Musical for Lena Hall, who played a female to male drag character Yitzhak, as well as Best Lighting Design of a Musical (Kevin Adams).

A Raisin in the Sun, Twelfth Night, Lady Day, All the Way, and all the rest

The most awards for a straight play went to A Raisin in the Sun, which earned three: Best Revival of a Play, Best Performance by an Actress in a Featured Role in a Play (Sophie Okonedo), and Best Direction of a Play (Kenny Leon).  This is Leon’s first Tony win; he was also nominated for 2010’s Fences, which like Raisin starred Denzel Washington.  In his acceptance speech, Leon made it clear that he believes Washington was snubbed in not receiving a nomination for his role.  Another winning play was Twelfth Night, which took home two awards: Best Performance by an Actor in a Featured Role in a Play (Mark Rylance as Olivia), and Best Costume Design of a Play (Jenny Tiramani).  This is Mark Rylance’s third Tony win, and the first time his acceptance speech did not consist of a poem by Louis Jenkins.  In addition, Lady Day at Emerson’s Bar & Grill took home two awards: Best Performance by anTwelfth Night Shakespeare play poster Actress in a Leading Role in a Play (Audra McDonald), and Best Sound Design of a Play (Steve Canyon Kennedy).  At the age of only 43, this is Audra McDonald’s record-setting sixth Tony win, and she is also now the only person to have earned a Tony Award in all four acting categories.  Finally, Robert Schenkkan’s All the Way took home the award for Best Play, and Bryan Cranston earned the award for Best Performance by an Actor in a Leading Role in a Play for portraying Lyndon B. Johnson in that play.

Beautiful Broadway ShowThe award for Best Performance by an Actress in a Leading Role in a Musical went to Jessie Mueller for portraying Carole King in Beautiful: The Carole King Musical, which also took home the award for Best Sound Design of a Musical (Brian Ronan).  The Bridges of Madison County was the only nominated musical not to perform at the event, and yet it earned two awards for Jason Robert Brown: Best Original Score (he wrote the music and lyrics), and also Best Orchestrations.  Rocky won the award for Best Scenic Design of a Musical (Christopher Barreca), and After Midnight won the award for Best Choreography (Warren Carlyle).  Act One took home the award for Best Scenic Design of a Play (Beowulf Boritt), and Aladdin earned the award for Best Performance by an Actor in a Featured Role in a Musical (James Monroe Iglehart).  The Glass Menagerie took home the award for Best Lighting Design of a Play (Natasha Katz), which is the first time this play has ever earned a Tony Award of the course of its seven productions across history.

The shows that were nominated but failed to win any awards were Bullets over Broadway, Cabaret, Casa Valentina, The Cripple of Inishmaan, If/Then, Les Misérables, Machinal, Mothers and Sons, A Night with Janis Joplin, Of Mice and Men, Outside Mullingar, Richard III, The Velocity of Autumn, and Violet.  Still, this was a year in which no show earned more than four awards, with the winners being fairly well dispersed.  In any case, the winners will surely see a box office boost from their Tony Awards, most notably A Gentleman’s Guide to Love and Murder, which will most certainly attract many more theatregoers now that it has taken home the honor of Best Musical.

2014 Tony Award Winners:

A GENTLEMAN’S GUIDE TO LOVE AND MURDER - 4 Tony Awards
Best Musical
Best Book of a Musical (Robert L. Freedman)
Best Direction of a Musical (Darko Tresnjak)
Best Costume Design of a Musical (Linda Cho)

HEDWIG AND THE ANGRY INCH - 4 Tony Awards
Best Revival of a Musical
Best Performance by an Actor in a Leading Role in a Musical (Neil Patrick Harris)
Best Performance by an Actress in a Featured Role in a Musical (Lena Hall)
Best Lighting Design of a Musical (Kevin Adams)

A RAISIN IN THE SUN - 3 Tony Awards
Best Revival of a Play
Best Performance by an Actress in a Featured Role in a Play (Sophie Okonedo)
Best Direction of a Play (Kenny Leon)

ALL THE WAY - 2 Tony Awards
Best Play (Author: Robert Schenkkan)
Best Performance by an Actor in a Leading Role in a Play (Bryan Cranston)

BEAUTIFUL-THE CAROLE KING MUSICAL - 2 Tony Awards
Best Performance by an Actress in a Leading Role in a Musical (Jessie Mueller)
Best Sound Design of a Musical (Brian Ronan)

THE BRIDGES OF MADISON COUNTY - 2 Tony Awards
Best Original Score Written for the Theatre (Music & Lyrics: Jason Robert Brown)
Best Orchestrations (Jason Robert Brown)

LADY DAY AT EMERSON’S BAR & GRILL - 2 Tony Awards
Best Performance by an Actress in a Leading Role in a Play (Audra McDonald)
Best Sound Design of a Play (Steve Canyon Kennedy)

TWELFTH NIGHT – 2 Tony Awards
Best Performance by an Actor in a Featured Role in a Play (Mark Rylance)
Best Costume Design of a Play (Jenny Tiramani)

ACT ONE – 1 Tony Award
Best Scenic Design of a Play (Beowulf Boritt)

AFTER MIDNIGHT – 1 Tony Award
Best Choreography (Warren Carlyle)

ALADDIN - 1 Tony Award
Best Performance by an Actor in a Leading Role in a Play (James Monroe Iglehart)

THE GLASS MENAGERIE - 1 Tony Award
Best Lighting of a Play (Natasha Katz)

ROCKY – 1 Tony Award
Best Scenic Design of a Musical (Christopher Barreca)

All The Way, With Bryan Cranston, Opens on Broadway

bryan cranston on broadway as Lyndon B Johnson in all the wayAll the Way, Robert Schenkkan’s bio-play about Lyndon B. Johnson, opened last week at Broadway’s Neil Simon Theatre. After Bill Rauch, the artistic director of the Oregon Shakespeare Festival, directed its premiere at OSF in 2012, he partnered with Diane Paulus of the American Repertory Theater to mount the political drama this past fall for a limited engagement in Boston.  Further to this, he partnered with the commercial producer Jeffrey Richards to bring it to Broadway, where previews began on February 10, 2014.  At A.R.T. as well as now on Broadway, the role of Lyndon Johnson is played by Bryan Cranston, whose fame has recently skyrocketed due to his starring role as Walter White on AMC’s Breaking Bad.  Between Cranston’s viscerally talented portrayal of Johnson, Schenkkan’s masterfully realistic script, and Rauch’s poised and polished direction of the ensemble cast, All the Way received wide critical praise and is stirring a lot of buzz among theatregoers.

The Pulitzer Prize-winning playwright Robert Schenkkan has declared the play to be the first half of a two-part series, with its action focused on the years leading to the passing of the Civil Rights Act of 1964.  As exemplified by the biographer Robert Caro’s lifelong project to chronicle Johnson’s career in what will be five massive volumes, the story of LBJ is a rich and detailed one.  It therefore makes sense that Schenkkan would choose to break up his story into two plays.  All the Way, in focusing on the years 1963-4, includes not only Johnson’s perspective, but also gives us an inside look into the experience of Martin Luther King, Jr. (played by Brandon J. Dirden), Coretta Scott King (played by Roslyn Ruff), J. Edgar Hoover (played by Michael McKean), Senator Hubert Humphrey (played by Robert Petkoff), Governor George Wallace (played by Rob Campbell), Robert McNamara (played by James Eckhouse), Senator Strom Thurman (played by Christopher Gurr), and Johnson’s long-time aide Walter Jenkins (played by Christopher Liam Moore).  This is therefore a democratic portrayal of history, with insight not only into the presidential podium but also the experience of African Americans as well as homosexuals during the time period.

bryan cranston on broadway as Lyndon B Johnson in all the way

As for the latter, Christopher Liam Moore – who is the real-life partner of director Bill Rauch, as well as the only cast member to remain from the original Oregon production – plays Walter Jenkins, whose tragic story is honored by Schenkkan’s inclusion of his narrative, though it could easily be over-shadowed by the other events of this dynamic era.  Weeks before the 1964 political election, Jenkins was caught in an elicit act with another man in the public restroom of the YMCA.  Though Jenkins was forced to resign and leave Washington, Johnson never faltered in his support of his close friend, showing the man’s compassion despite his rough political exterior.  It is the presence of tales like this one alongside major political events that make Schenkkan’s play a personal and compelling theatrical experience.

Marilyn Stasio in Variety called the play’s style “Expressionism Lite,” referring to how the characters are not entirely realistic, nor fully caricatured, with the one exception of Cranston’s LBJ who succeeds in feeling fully authentic.  This is to the play’s credit, for it is a tricky balance to fictionalize history onstage, and the blend between rigorous detail and abridgment helps the audience to navigate this complex tale.  The cohesion of the piece also stems from Rauch’s clever direction, which stylizes the story just enough to make it artful while allowing the actors to exercise a grounded approach to their characters.  The cast of 20 remain in sight, either sitting on upstage benches designed by Christopher Acebo or by marching through the aisles of the theatre.  This lends the show a vibrant energy and a structural integrity.

Bryan Cranston in all the way on broadway

Johnson is known as a great manipulator, and this play allows us to see his Machiavellian expertise.  Bryan Cranston embodies the towering figure of Johnson despite his less-than-enormous height, partially with the help of hidden risers in his shoes, but more so due to his ferocious energy and commitment to the character.  Throughout the play, we see how Johnson bent Congress to his needs, which in this case was to pass the Civil Rights Act of 1964.  On the other hand, we also see how the black freedom fighters acted as a counterbalance to Johnson’s own agenda, as they make up a significant part of his constituency, and we are given an inside look into Martin Luther King, Jr.’s own political savviness.  Alongside NAACP director Roy Wilkins (played by Peter Jay Fernandez) and the SNCC head Stokely Carmichael (played by William Jackson Harper), we see the other side of the story of the passing of the Civil Rights Act, allowing for a balanced take on this historic struggle.

Despite its rave reviews, All The Way has not yet been selling out its houses.  Last week, it averaged an audience capacity of 81.94% with an average paid admission of $79.04, grossing a total of $736,790 for the week.  With the reviews having determined it to be a skillful and entertaining production, the audiences may become more confident in their choice to see their beloved Cranston in his Broadway debut in such a competitive Broadway marketplace.  As the post-opening numbers start coming in, we will soon see if this becomes a commercial as well as a critical success.