Broadway Show Ticket Sales Analysis w/e 6/28/2015

This week’s notable movements on Broadway are:

“The Audience” Concludes Run with Record Highs

On Sunday, June 28, 2015, The Audience played its final performance on Broadway. Written by Peter Morgan and starring Helen Mirren as Queen Elizabeth II, the show reunited the writer and star of the Oscar winning film The Queen, also dealing with the same subject. This mass recognition of these artists and this story is partially responsible for the excellent success the show enjoyed throughout its run. In its final week of performances, The Audience earned its highest weekly gross to date, which was $1,425,523. This represented an astounding 118.49% of the show’s gross potential. Prior to this final week, the show’s highest weekly gross was $1,206,318, representing 114.11% of gross potential. Still, it was common for the show regularly to make 108% to 111% of its gross potential. In its final week, the average paid admission was also at an all time high at $163.67. The top ticket price since opening night was $323.00. One major reason the show earned so much money this final week is that it played 8 performances, whereas it had played 7 throughout every other full week of its run. Still, the increase in percentage of gross potential shows that demand grew even to exceed the added performance, with fans eager to get their final dose of Helen Mirren’s Tony Award winning performance as the Queen of England.

“Amazing Grace” Begins Previews With Low Numbers

In addition, the week ending June 28, 2015 saw the start of previews for Amazing Grace, a new musical with music and lyrics by Christopher Smith, and a book by Christopher Smith and Arthur Giron. This show deals with the origination of the famous gospel song, “Amazing Grace.” In choosing to begin previews in the height of summer, following the hubbub of the Tony Awards when the world has its eye on the theatre industry, Amazing Grace was taking a big risk that it would fall between the cracks in the distraction of summer vacation. In this first week of five performances, the show brought in $200,392, which represents only 29.21% of its gross potential. With a top ticket price of $197.00, the average paid admission was $57.57. The show stars Erin Mackey, Josh Young, Stanley Bahorek, and Chuck Cooper, who have had success in the world of theatre but are by no means A-list marquee names that can sell tickets for the show. The show will open on July 16, 2015, at which point the reviews may or may not be able to save the show by spurring positive word of mouth. In any case, the box office figures out of the gate are not very encouraging, but perhaps amazing grace, how sweet the sound, will save this show once word of mouth catches on.

The following are the Broadway ticket sales numbers for the week ending June 28, 2015:Broadway-Show-Ticket-Analysis-06-28-15-1

 

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $605,865 6,782 93.47% $89.33
ALADDIN $1,644,688 13,787 100.02% $119.29
AMAZING GRACE $200,392 3,481 59.91% $57.57
AN ACT OF GOD $955,566 7,581 94.20% $126.05
AN AMERICAN IN PARIS $1,433,433 13,288 98.93% $107.87
BEAUTIFUL $1,054,036 8,005 97.53% $131.67
CHICAGO $597,661 7,524 87.08% $79.43
FINDING NEVERLAND $1,222,133 11,996 99.70% $101.88
FISH IN THE DARK $848,378 7,880 91.80% $107.66
FUN HOME $752,342 6,130 103.55% $122.73
HAND TO GOD $400,070 4,879 79.00% $82.00
HEDWIG AND THE ANGRY INCH $538,365 5,594 79.36% $96.24
IT SHOULDA BEEN YOU $415,180 6,079 75.09% $68.30
JERSEY BOYS $744,540 7,527 76.62% $98.92
KINKY BOOTS $969,479 9,579 84.09% $101.21
LES MISÉRABLES $747,267 9,426 83.62% $79.28
MAMMA MIA! $856,775 9,167 98.27% $93.46
MATILDA $1,117,587 11,495 100.34% $97.22
ON THE TOWN $637,010 10,483 69.92% $60.77
ON THE TWENTIETH CENTURY $594,786 5,693 98.56% $104.48
SOMETHING ROTTEN! $1,230,619 12,624 94.66% $97.48
THE AUDIENCE $1,425,523 8,710 101.85% $163.67
THE BOOK OF MORMON $1,524,996 8,752 102.63% $174.25
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $973,337 8,042 98.75% $121.03
THE KING AND I $1,174,105 8,378 100.02% $140.14
THE LION KING $2,120,670 13,603 100.02% $155.90
THE PHANTOM OF THE OPERA $986,653 11,372 88.57% $86.76
WICKED $2,047,143 15,175 98.49% $134.90
WOLF HALL PARTS ONE & TWO $515,472 5,500 49.71% $93.72
Totals $28,334,069 258,532 89.85% $106.66

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 6/21/2015

This week’s notable movements on Broadway are:

“Gigi” and “Skylight” See Rise in Final Week

In the week ending June 21, 2015, both Gigi and Skylight played their final week of performances. Gigi was nominated for no Tony Awards and received mixed to negative reviews, and therefore its closing was on somewhat of a disappointing note. Still, in its last week, Gigi saw an upturn of sales with the last chance fans rushing to catch Vanessa Hudgens in the title role, and Victoria Clark in the acclaimed supporting role of Mamita. This past week, Gigi brought in $619,008, which is an increase of $110,365 from the week before. In the previous week, its penultimate week of performances, sales also went up, that time by $106,697. However, in the previous three weeks before that, sales decreased on a weekly basis, so it was only in the last two weeks that sales saw an upsurge due to scarcity of remaining performances. This past week, the show brought in 46.01% of its gross potential, which is the almost the highest potential reached of any week. With a top ticket price of $198.00, the average paid admission in Gigi’s final week was $75.98. Skylight is a completely different story. Skylight was nominated for several Tony Awards and took home the award for Best Revival of a Play. It received excellent reviews, and performed very well throughout its run. Still, like with Gigi, in its final two weeks sales went even higher. In the week ending July 21, 2015, Skylight brought in $927,539, which was 108.09% of its gross potential, by far the highest gross of the run. The previous week, the gross was $865,346, which was 100.85% of the gross potential. Therefore, Skylight went out on a high note, averaging $144.57 for paid admission and filling up 100.0% of the audience capacity.

An Overall Static Week on Broadway

This past week, the entire Broadway industry saw an increase of only $349,473. With 30 shows running that week, that averages to be an increase of $11,649 per show. In actuality, 11 shows saw a decrease in sales, and 19 shows saw an increase in sales. From a macro perspective, the industry stayed relatively static from the week before. The greatest increase was seen by Gigi, and the second greatest by Skylight, as discussed in the previous paragraph. The biggest decrease was seen by Wolf Hall Parts One and Two, which brought in $467,890, a decrease of $114,082 from the week before. While the show received a lot of recognition from the Tony Awards, it seems to have nearly saturated its demand prior to its closing in early July. In addition, It Shoulda Been You saw a decrease of $58,885, bringing in a weekly gross of $344,196, which represents only 34.73% of its gross potential. Still, overall the Broadway industry stayed fairly constant this week, without too much extreme fluctuation.

The following are the Broadway ticket sales numbers for the week ending June 21, 2015:Broadway-Show-Ticket-Analysis-06-21-15

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $587,784 6,465 89.10% $90.92
ALADDIN $1,625,997 13,792 100.06% $117.89
AN ACT OF GOD $890,098 7,156 88.92% $124.38
AN AMERICAN IN PARIS $1,440,627 13,391 99.69% $107.58
BEAUTIFUL $993,120 7,734 94.23% $128.41
CHICAGO $718,511 8,533 98.76% $84.20
FINDING NEVERLAND $1,132,133 11,703 97.27% $96.74
FISH IN THE DARK $849,330 7,770 90.52% $109.31
FUN HOME $744,646 6,129 103.53% $121.50
GIGI $619,008 8,147 73.58% $75.98
HAND TO GOD $415,154 4,784 77.46% $86.78
HEDWIG AND THE ANGRY INCH $479,292 5,024 71.27% $95.40
IT SHOULDA BEEN YOU $344,196 5,350 66.08% $64.34
JERSEY BOYS $680,486 7,058 71.84% $96.41
KINKY BOOTS $867,192 8,458 74.25% $102.53
LES MISÉRABLES $659,355 8,550 75.85% $77.12
MAMMA MIA! $782,060 8,624 92.45% $90.68
MATILDA $1,044,453 11,375 99.29% $91.82
ON THE TOWN $558,807 9,118 60.82% $61.29
ON THE TWENTIETH CENTURY $582,490 5,620 97.30% $103.65
SKYLIGHT $927,539 6,416 100.00% $144.57
SOMETHING ROTTEN! $1,169,433 12,241 91.79% $95.53
THE AUDIENCE $1,206,318 7,612 101.72% $158.48
THE BOOK OF MORMON $1,517,932 8,752 102.63% $173.44
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $919,935 7,914 97.18% $116.24
THE KING AND I $1,154,506 8,264 98.66% $139.70
THE LION KING $2,154,719 13,600 100.00% $158.44
THE PHANTOM OF THE OPERA $982,442 11,419 88.93% $86.04
WICKED $1,947,674 15,331 99.50% $127.04
WOLF HALL PARTS ONE & TWO $467,890 4,923 44.50% $95.04
Total $28,463,126 261,253 88.24% $107.38

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 6/14/2015

This week’s notable movements on Broadway are:

“Fish in the Dark” Took Major Hit with Jason Alexander Replacing Larry David

In the week ending June 14, 2015, Larry David’s blandly reviewed but heretofore top-selling comedy Fish in the Dark brought in $842,633 at the box office. This is a decrease of $403,563 from the week before. In almost every single week of the show’s run so far, it has brought in over one million dollars per week, and reached over 110% of its gross potential. However this past week, it only reached 80.97% of its gross potential. The reason is too clear to be denied: Jason Alexander took over the lead role from Larry David this week. Larry David, whose last performance was on June 7, 2015, has proven himself to be a huge draw at the box office. Even though the show was reviewed by most critics as less than magnificent, David lured fans in immense numbers for every single week in which he appeared onstage. Jason Alexander played Larry David’s surrogate George Costanza on the TV show “Seinfeld” for many years, and he is also a very successful actor on both stage and screen. However, it is probably the fact that Alexander is such a usual face on Broadway that made fans less interested in seeing him in this role. On the other hand, David was making his Broadway debut, and fans were dying to see him in person, even if the overall play was less than gut wrenchingly hilarious.

Tony Awards Had Only Small Impact on Sales This Week

This week was the first full week of Broadway performances since the Tony Awards, which took place on June 7, 2015. The biggest award, that for Best Musical, was given to Fun Home. Still, in the week ending June 14, 2015, Fun Home brought in $716,631, which is an increase of only $63,701 from the week before. It is true that Fun Home is in the very small Circle in the Square Theatre, which has a low ceiling on the number of audience members it can accommodate. Still, this week Fun Home brought in 94.26% of its gross potential, where other shows bring in over 100% due to premium ticket sales. Therefore, there is still room for growth in audience interest in this Tony Award winning Best Musical. As for An American in Paris, which some thought to be Fun Home’s biggest competition for that award, it showed a similar minor increase in ticket sales. This past week, it brought in $1,399,818, which is an increase of $31,084 from the week before. It barely beat out Fun Home in terms of percentage reached of gross potential, achieving 95.14% of its potential. As for Something Rotten!, the third and only other possible contender for the Best Musical award (no one thought The Visit would win), it brought in $1,178,048 this past week, which is an increase of $144,556 from the week before. Therefore, though it only reached 92.77% of its gross potential, it still saw a greater increase than either of the other two Best Musical nominees, proving that the winners of Tony Awards saw only a minor impact in comparison to those nominees that lost, at least in this first week right after the ceremony.

The following are the Broadway ticket sales numbers for the week ending June 14, 2015:Broadway Show Ticket Gross analysis

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $553,366 6,046 83.32% $91.53
ALADDIN $1,592,508 13,786 100.01% $115.52
AN ACT OF GOD $852,902 6,889 85.60% $123.81
AN AMERICAN IN PARIS $1,399,818 13,345 99.35% $104.89
BEAUTIFUL $993,724 7,607 92.68% $130.63
CHICAGO $702,637 8,392 97.13% $83.73
FINDING NEVERLAND $1,172,903 11,920 99.07% $98.40
FISH IN THE DARK $842,633 7,781 90.65% $108.29
FUN HOME $716,631 6,116 103.31% $117.17
GIGI $508,643 6,482 58.54% $78.47
HAND TO GOD $389,264 4,585 74.24% $84.90
HEDWIG AND THE ANGRY INCH $456,585 4,858 68.92% $93.99
IT SHOULDA BEEN YOU $403,081 6,151 75.98% $65.53
JERSEY BOYS $681,426 7,144 72.72% $95.38
KINKY BOOTS $880,700 8,462 74.28% $104.08
LES MISÉRABLES $639,481 8,160 72.39% $78.37
MAMMA MIA! $776,089 8,773 94.05% $88.46
MATILDA $1,058,673 11,446 99.91% $92.49
ON THE TOWN $559,983 8,360 55.76% $66.98
ON THE TWENTIETH CENTURY $609,744 5,717 98.98% $106.65
SKYLIGHT $865,346 6,416 100.00% $134.87
SOMETHING ROTTEN! $1,178,048 12,195 91.44% $96.60
THE AUDIENCE $1,171,220 7,577 101.26% $154.58
THE BOOK OF MORMON $1,494,196 8,748 102.58% $170.80
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $885,114 8,015 98.42% $110.43
THE KING AND I $1,109,198 8,115 96.88% $136.68
THE LION KING $2,102,748 13,500 99.26% $155.76
THE PHANTOM OF THE OPERA $980,877 11,657 90.79% $84.14
THE VISIT $274,465 4,613 64.00% $59.50
WICKED $1,954,144 15,332 99.51% $127.46
WOLF HALL PARTS ONE & TWO $581,972 5,978 54.03% $97.35
Totals $28,388,117 264,166 86.94% $105.08

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 6/07/2015

This week’s notable movements on Broadway are:

An Act of God Sails Upward

In the week leading up to the Tony Awards, the week ending June 7, 2015, the show that saw the biggest increase in ticket sales from the week before was one that was ineligible for awards consideration. An Act of God, a new comedy starring Jim Parsons, opened past the date for eligibility for Tony nominations, and thus it was not honored at the ceremony this past Sunday night. Still, it received great reviews on its recent opening night, and the numbers showed an increase because of it. This past week, it brought in $843,731, which represents 83.72% of the show’s gross potential. This weekly gross is an increase of $150,352 from the week before, when it brought in only $693,379. This past week, the average paid admission was $120.12, with a top ticket price of $349.00. This is also a significant increase from last week’s average paid admission of $93.92. Finally, the average audience capacity across the eight performances increased to 91.7%, up from 82.5% the week before. Therefore, this show is defying the general principle that a summer opening is a bad idea, and that Tony recognition is a crucial factor in a show’s success. In this case, a beloved lead actor, great reviews, and the attraction of a light hearted comedy on religious themes was enough to boost ticket sales.

Long Running Musicals Saw a Decrease in Interest

As the Tony buzz was buzzing, the long running musicals that have been playing on Broadway for years saw a decrease in ticket sales. One of the highest earning musicals on Broadway, The Lion King, saw a decrease of $67,274 from the week before, bringing in the still extraordinary gross of $1,959,636. Les Miserables saw a decrease of $46,631, bringing in a weekly gross of $564,893. Furthermore, The Phantom of the Opera, decreased by $45,159 from the week before, bringing in a weekly gross of $883,328. Kinky Boots, which won the Tony Award for Best Musical in 2013, decreased by $23,688, bringing in a gross of $832,015. In addition, Chicago saw a decrease of $12,481, Jersey Boys went down by $4,586, and Matilda decreased by $3,063. The only shows nominated for this year’s Tony Awards that saw a decrease in ticket sales this past week were On the Twentieth Century, Something Rotten!, and Gigi. On the other hand, most of the shows that were nominated for Tony Awards saw an increase in ticket sales in the week approaching the event. These included It’s Only a Play, which increased by $134,047, The Curious Incident of the Dog in the Night-time, which increased by $97,788, Wolf Hall Parts One and Two, which increased by $86,781, and Hedwig and the Angry Inch, which increased by $67,380.

The following are the Broadway ticket sales numbers for the week ending June 7, 2015:Broadway-Show-Ticket-Analysis-06-07-15

Show GrossGross TotalAttn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $533,867 5,932 81.75% $90.00
AIRLINE HIGHWAY $169,126 3,690 73.56% $45.83
ALADDIN $1,535,301 13,787 100.02% $111.36
AN ACT OF GOD $843,731 7,024 87.28% $120.12
AN AMERICAN IN PARIS $1,368,734 13,489 100.42% $101.47
BEAUTIFUL $964,024 7,357 89.63% $131.03
CHICAGO $626,499 7,700 89.12% $81.36
FINDING NEVERLAND $1,103,830 11,588 96.31% $95.26
FISH IN THE DARK $1,246,196 8,716 101.54% $142.98
FUN HOME $652,930 6,054 103.66% $107.85
GIGI $401,946 5,324 48.09% $75.50
HAND TO GOD $449,227 5,481 88.75% $81.96
HEDWIG AND THE ANGRY INCH $457,557 4,912 69.68% $93.15
IT SHOULDA BEEN YOU $321,819 5,304 65.51% $60.67
IT’S ONLY A PLAY $669,145 7,314 84.89% $91.49
JERSEY BOYS $639,044 6,565 66.83% $97.34
KINKY BOOTS $832,015 7,942 69.72% $104.76
LES MISÉRABLES $564,893 7,193 63.81% $78.53
MAMMA MIA! $718,764 8,173 87.62% $87.94
MATILDA $873,458 10,887 95.03% $80.23
ON THE TOWN $493,263 10,016 66.81% $49.25
ON THE TWENTIETH CENTURY $491,692 4,972 98.38% $98.89
SKYLIGHT $831,694 6,416 100.00% $129.63
SOMETHING ROTTEN! $1,033,492 11,430 85.71% $90.42
THE AUDIENCE $1,114,361 7,499 100.21% $148.60
THE BOOK OF MORMON $1,478,236 8,716 102.20% $169.60
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $800,264 7,887 96.84% $101.47
THE KING AND I $1,110,174 8,376 100.00% $132.54
THE LION KING $1,959,636 13,557 99.68% $144.55
THE PHANTOM OF THE OPERA $883,328 10,771 83.89% $82.01
THE VISIT $194,400 4,213 58.45% $46.14
WICKED $1,737,141 14,228 98.42% $122.09
WOLF HALL PARTS ONE & TWO $634,917 6,302 56.96% $100.75
Totals $27,734,699 268,815 85.18% $99.84

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 5/31/2015

This week’s notable movements on Broadway are:

An Overall Poor Week on Broadway

In the week ending May 31, 2015, the Broadway box office took a major toll, with 29 of the 33 currently running shows reporting a decrease in ticket sales from the week before. The biggest increase was seen by Something Rotten!, which brought in $1,100,399, an increase of $36,234 from the week before. The only other show to increase in the five digits was The King and I, which increased by $25,885. Furthermore, Fun Home went up by $1,329, and Fish in the Dark went up by $1,289. As for the remaining 29 shows, every single one saw a decrease in ticket sales. Of all 33 shows, the overall decrease in ticket sales was $2,382,536 from the week before. The biggest decrease was seen by Beautiful, which went down by $235,946, bringing in a weekly gross of $909,618. One major reason why the industry took such a dip this week may be due to Tony voters cashing in on all their free tickets, as each of the approximately 700 voters receives a free pair of tickets to all shows (except Finding Neverland, as Harvey Weinstein revoked the offer upon the show receiving no nominations). Therefore, the overall grosses may have seen a decrease with all of the comps being cashed in as the Tony Awards are nearing very close. Furthermore, the overall ticket buying community may have purchased excitedly when the nominations came out, but now may be waiting for the results next week before choosing which shows to see next.

“An American in Paris” Continues to Bring In Big

One of the biggest contenders for the Tony Award for Best Musical is An American in Paris. In the week ending May 31, 2015, the show brought in $1,339,416. Though this is a slight decrease of $10,516 from the week before, it is still a consistently high number. The biggest weekly gross thus far was the previous week, when the show brought in $1,349,932, which represented 91.75% of its gross potential. This past week, the show reached 91.04% of its gross potential, which is almost as good. Furthermore, it filled 99.1% of its audience capacity. It is clear that ticket buyers are going crazy for this revamped Gershwin dance musical, based off the film of the same name. With such great buzz, this show may very well win the award for Best Musical. However, Fun Home, which still has not come close to the million dollar mark, granted in a much smaller theatre, is also an interesting pick due to its groundbreaking nature. Fun Home is the first mainstream musical to deal with the concept of lesbianism as its major plot point. Time will tell whether Tony voters choose to commend the novel concept of Fun Home or whether they are swayed by the good old-fashioned excellence of An American in Paris.

The following are the Broadway ticket sales numbers for the week ending May 31, 2015:Broadway-Show-Ticket-Analysis-05-31-15

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $485,524 5,745 79.18% $84.51
AIRLINE HIGHWAY $160,888 3,483 69.44% $46.19
ALADDIN $1,469,138 13,788 100.03% $106.55
AN ACT OF GOD $693,379 7,383 91.74% $93.92
AN AMERICAN IN PARIS $1,339,416 13,305 99.05% $100.67
BEAUTIFUL $909,618 6,997 85.25% $130.00
CHICAGO $638,980 7,563 87.53% $84.49
FINDING NEVERLAND $1,048,475 11,140 92.59% $94.12
FISH IN THE DARK $1,216,518 8,718 101.56% $139.54
FUN HOME $628,970 6,001 102.76% $104.81
GIGI $426,246 6,013 54.31% $70.89
HAND TO GOD $406,784 5,011 81.14% $81.18
HEDWIG AND THE ANGRY INCH $390,177 4,306 61.09% $90.61
IT SHOULDA BEEN YOU $272,693 4,393 54.26% $62.07
IT’S ONLY A PLAY $535,098 5,742 66.64% $93.19
JERSEY BOYS $643,630 6,847 69.70% $94.00
KINKY BOOTS $855,703 8,812 77.35% $97.11
LES MISÉRABLES $611,524 7,853 69.67% $77.87
MAMMA MIA! $697,686 7,831 83.95% $89.09
MATILDA $876,521 10,661 93.06% $82.22
ON THE TOWN $512,816 10,025 66.87% $51.15
ON THE TWENTIETH CENTURY $583,755 5,663 98.04% $103.08
SKYLIGHT $782,580 6,337 98.77% $123.49
SOMETHING ROTTEN! $1,100,399 12,184 91.36% $90.32
THE AUDIENCE $1,096,582 7,466 99.77% $146.88
THE BOOK OF MORMON $1,417,312 8,737 102.45% $162.22
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $702,476 7,191 88.30% $97.69
THE KING AND I $1,095,371 8,376 100.00% $130.77
THE LION KING $2,026,910 13,578 99.84% $149.28
THE PHANTOM OF THE OPERA $928,487 11,146 86.81% $83.30
THE VISIT $149,023 3,564 49.45% $41.81
WICKED $1,670,922 13,830 95.67% $120.82
WOLF HALL PARTS ONE & TWO $548,136 5,436 49.13% $100.83
Totals $26,921,735 265,125 83.23% $97.72

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 5/24/2015

This week’s notable movements on Broadway are:

“Something Rotten!” Breaks Through to Hit Status

In the week ending May 24, 2015, the new musical Something Rotten! earned 102.71% of its gross potential, breaking through the 100% mark for the first time. Also, the show broke through the million dollar mark for the first time, bringing in $1,064,165. This show is nominated for the Tony Award for Best Musical, which has certainly helped spur an increased interest in ticket sales in anticipation of the awards. The show deals with a pair of brothers, Nigel and Nick Bottom, who live in Shakespeare’s time and are having trouble competing with him – until they invent the world’s first musical. Though Ben Brantley of The New York Times found the show to be overly sugary and falsely attempting an endless string of show stoppers, most other critics were delighted by the score and storyline. In every week since the show began previews at the end of March, it has increased its weekly gross from the week before. This past week, it took a jump of $113,747 from the week before, continuing the trend of continuous increasing. There is not much further up this gross can go, but there is still a little wiggle room, as this past week it filled the audience capacity to an average of 96.9%. The pressure is high for the Tony Awards, and this show is proving to be a strong contender, along with An American in Paris and Fun Home.

“The Visit” Barely Holding On Despite Tony Nominations

Among the four shows nominated for the Tony Award for Best Musical, Kander and Ebb’s The Visit looks least likely to win. Not only were the reviews decidedly mixed, but the box office has been stalled and gasping for breath. This past week, The Visit brought in $201,623, which represents only 26.44% of its gross potential. Among all the shows running on Broadway, this is the least percentage reached of gross potential. The second lowest percentage was achieved by Gigi, which brought in 33.98% of its gross potential. Still, The Visit is staying alive, if only to wait out the results of the Tony Awards. Chances are it will close shortly after that event. It seems that ticket buyers were barely swayed, if at all, by the Tony nomination for this show, as this week actually marks a decrease in ticket sales from the week before. The previous week, it brought in $211,430, so this week was a loss of $9,807. Since the show began previews at the end of March, it has been flip flopping around a weekly gross of approximately $200,000, the lowest yet in a full performance week being $167,410, and the highest yet being $224,289. Therefore, theatergoers are just not interested in seeing this Tony nominated musical amongst all the other choices, even though they will likely not have many more weeks to catch it.

The following are the Broadway ticket sales numbers for the week ending May 24, 2015:Broadway Show Ticket Gross Chart 5-24-15

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $633,136 6,501 89.59% $97.39
AIRLINE HIGHWAY $172,882 3,568 71.13% $48.45
ALADDIN $1,516,242 13,786 100.01% $109.98
AN ACT OF GOD $729,982 6,639 82.49% $109.95
AN AMERICAN IN PARIS $1,349,932 13,481 100.36% $100.14
BEAUTIFUL $1,145,564 8,210 100.02% $139.53
CHICAGO $737,596 8,580 99.31% $85.97
FINDING NEVERLAND $1,107,925 11,334 94.20% $97.75
FISH IN THE DARK $1,215,229 8,719 101.57% $139.38
FUN HOME $627,641 6,006 102.84% $104.50
GIGI $457,095 7,120 64.31% $64.20
HAND TO GOD $442,073 5,478 88.70% $80.70
HEDWIG AND THE ANGRY INCH $478,538 5,321 75.49% $89.93
IT SHOULDA BEEN YOU $378,180 5,911 73.01% $63.98
IT’S ONLY A PLAY $659,426 6,650 77.18% $99.16
JERSEY BOYS $723,418 7,598 77.34% $95.21
KINKY BOOTS $1,012,506 10,057 88.28% $100.68
LES MISÉRABLES $805,027 9,797 86.91% $82.17
MAMMA MIA! $766,648 8,663 92.87% $88.50
MATILDA $941,402 10,931 95.42% $86.12
ON THE TOWN $638,515 11,431 76.25% $55.86
ON THE TWENTIETH CENTURY $621,043 5,767 99.84% $107.69
SKYLIGHT $799,055 6,414 99.97% $124.58
SOMETHING ROTTEN! $1,064,165 12,919 96.87% $82.37
THE AUDIENCE $1,158,926 7,555 100.96% $153.40
THE BOOK OF MORMON $1,551,727 8,752 102.63% $177.30
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $781,356 7,743 95.08% $100.91
THE KING AND I $1,069,486 8,376 100.00% $127.68
THE LION KING $2,066,573 13,601 100.01% $151.94
THE PHANTOM OF THE OPERA $1,074,914 12,305 95.83% $87.36
THE VISIT $201,623 4,795 66.52% $42.05
WICKED $1,776,153 15,155 98.36% $117.20
WOLF HALL PARTS ONE & TWO $600,295 6,403 57.87% $93.75
Totals $29,304,272 285,566 89.43% $100.18

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 5/17/2015

This week’s notable movements on Broadway are:

An Overall Excellent Week on Broadway

In the week ending May 17, 2015, the entire Broadway box office saw an increase of $2,179,880 from the week before. With 33 shows running, that is an average increase of $66,056.97 across the entire industry. Of these 33 shows, 30 of them saw an increase in sales this week, and only three saw a decrease in sales in comparison to the previous week. The largest increase was seen by the musical On the Town, which increased by $412,136 from the week before; this is due partly to the fact that the show had four performances the week prior, but also this is an increase in comparison to two weeks before, when the show had brought in $501,640. After On the Town, the next biggest increase was seen by The Lion King, which went up by $264,769 to reach its weekly gross of $1,966,567. The third biggest increase was seen by a show that has newly begun previews, An Act of God, which went up by $260,979 to reach its weekly gross of $738,682. In addition, Wicked went up by $132,403, and Wolf Hall Parts One and Two went up by $103,691 to reach its weekly gross of $734,344.

Greater than 100% of Gross Potential

This past week, three shows demonstrated such high demand that their weekly box office grosses reached over 100% of the gross potential. This is due to the fact that on top of selling out of full price tickets, the show managed to sell enough premium price tickets to push the shows over 100% of their potential. Interestingly, only one of these is a musical – The Book of Mormon – but two are plays: The Audience and Fish in the Dark. All three of these shows have been major hits since they began their runs. The Book of Mormon has been running for several years, generally with remarkable financial success. This past week, it brought in $1,534,408, which represents 110.31% of its gross potential. With a top ticket price of $477.00, the show’s average paid admission was $175.50, which is greater than the top ticket price for some shows. The Audience and Fish in the Dark are both new shows this season with limited runs. Whereas The Audience received good reviews and several Tony nominations, Fish in the Dark received mixed reviews and zero Tony nominations, instead relying on the star power of its writer and lead actor Larry David to account for the financial prowess. This past week, The Audience brought in $1,194,528, which represents 113.00% of its gross potential. With a top ticket price of $323.00, the average paid admission was $157.67. As for Fish in the Dark, it brought in $1,208,230, which represents 116.09% of its gross potential. With a top ticket price of $497.00, the average paid admission was $138.57.

The following are the Broadway ticket sales numbers for the week ending May 17, 2015:Broadway-Show-Ticket-Analysis-05-17-15-1

Show Name GrossGross TotalAttn %Capacity AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $577,859 6,143 84.66% $94.07
AIRLINE HIGHWAY $180,476 3,591 71.59% $50.26
ALADDIN $1,467,090 13,788 100.03% $106.40
AN ACT OF GOD $738,682 6,489 80.63% $113.84
AN AMERICAN IN PARIS $1,280,111 13,417 99.89% $95.41
BEAUTIFUL $1,124,463 7,979 97.21% $140.93
CHICAGO $667,974 8,184 94.72% $81.62
FINDING NEVERLAND $1,067,924 10,846 90.14% $98.46
FISH IN THE DARK $1,208,230 8,719 101.57% $138.57
FUN HOME $587,716 5,985 102.48% $98.20
GIGI $493,858 7,301 65.94% $67.64
HAND TO GOD $427,117 5,533 88.44% $77.19
HEDWIG AND THE ANGRY INCH $448,280 5,207 73.87% $86.09
IT SHOULDA BEEN YOU $418,416 6,231 76.96% $67.15
IT’S ONLY A PLAY $639,751 6,545 75.96% $97.75
JERSEY BOYS $686,201 6,998 71.23% $98.06
KINKY BOOTS $1,017,917 9,947 87.32% $102.33
LES MISÉRABLES $675,325 8,800 78.07% $76.74
MAMMA MIA! $730,105 8,317 89.16% $87.78
MATILDA $846,868 10,693 93.34% $79.20
ON THE TOWN $614,881 9,756 65.07% $63.03
ON THE TWENTIETH CENTURY $582,568 5,794 100.31% $100.55
SKYLIGHT $775,421 6,392 99.63% $121.31
SOMETHING ROTTEN! $950,418 12,436 93.25% $76.42
THE AUDIENCE $1,194,528 7,576 101.24% $157.67
THE BOOK OF MORMON $1,534,408 8,743 102.52% $175.50
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $766,673 7,641 93.82% $100.34
THE KING AND I $1,001,947 8,376 100.00% $119.62
THE LION KING $1,966,567 13,508 99.32% $145.59
THE PHANTOM OF THE OPERA $883,247 10,859 84.57% $81.34
THE VISIT $211,430 3,981 55.23% $53.11
WICKED $1,601,725 13,959 96.56% $114.74
WOLF HALL PARTS ONE & TWO $734,344 6,711 60.66% $109.42
Total $28,102,518 276,445 87.13% $99.28

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 5/10/2015

This week’s notable movements on Broadway are:

“An Act of God” Off to Brilliant Start

An Act of God began previews this past week on May 7, 2015 at Studio 54. Starring Jim Parsons, this not quite one-man show is written by David Javerbaum, based on his comedy book called “The Last Testament: A Memoir by God.” Jim Parsons, who plays God in this play, has proven to be almost the equivalent in terms of box office numbers. In its first partial week of four performances, the show brought in $477,703, which represents 93.01% of its gross potential. Though this isn’t the best it could possibly do, this is very good for a small size play opening at an unusual time when the rest of Broadway is hot from Tony nominations. The show is directed by Joe Mantello, who has helmed such works as Airline Highway, The Last Ship, and Casa Valentina. With a top ticket price of $349.00, the average paid admission was $129.04. At this rate, it filled up to an average audience capacity of 92.0%. Chances are that by next week, these numbers will continue to creep upwards, if this comedy proves to be as hilarious as its buzz suggests

Boosts for “It’s Only a Play,” “On the Twentieth Century,” and “Something Rotten!”

In the week ending May 10, 2015, three shows saw their weekly grosses increase in the six figures. It’s Only a Play, which was somewhat snubbed in the Tony Award nominations with only a nod for its supporting actor Micah Stock, saw an increase in ticket sales this past week of $110,070, reaching the gross of $694,112 across the eight performances. Although this is not very good for a show that was once competing with big musicals in the millionaire dollar range, the increase shows that audiences are still interested in this Terrence McNally play with a starry cast. Furthermore, On the Twentieth Century and Something Rotten! both saw an increase in ticket sales following their Tony nomination recognition. On the Twentieth Century, which was nominated for Best Revival of a Musical among other honors, had a weekly gross this past week of $595,851, which is an increase of $106,164 from the week before. That represents 72.48% of its gross potential, by far the highest percentage reached thus far in the run. Furthermore, Something Rotten! saw an increase in ticket sales following the announcement of its nomination for Best Musical, among the other heavy hitting new shows. This past week, the weekly gross was $903,211, which represents 87.18% of its gross potential. This is an increase from last week of $102,178. In every week since this musical began performances, its box office has been on a steady incline. With the Tony buzz, chances are the show will keep on selling increasingly well.

The following are the Broadway ticket sales numbers for the week ending May 10, 2015:Broadway-Show-Ticket-Analysis-05-10-15

Show Name GrossGross TotalAttn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $552,694 5,821 80.22% $94.95
AIRLINE HIGHWAY $175,953 3,608 71.93% $48.77
ALADDIN $1,422,347 13,766 99.87% $103.32
AN ACT OF GOD $477,703 3,702 92.00% $129.04
AN AMERICAN IN PARIS $1,298,817 13,187 98.18% $98.49
BEAUTIFUL $1,075,887 7,503 91.41% $143.39
CHICAGO $633,554 7,840 90.74% $80.81
DOCTOR ZHIVAGO $537,474 8,578 72.55% $62.66
FINDING NEVERLAND $1,041,008 10,650 88.51% $97.75
FISH IN THE DARK $1,190,948 8,701 101.36% $136.87
FUN HOME $571,496 5,918 101.34% $96.57
GIGI $434,201 6,179 55.81% $70.27
HAND TO GOD $400,886 5,061 80.90% $79.21
HEDWIG AND THE ANGRY INCH $425,224 5,147 73.02% $82.62
IT SHOULDA BEEN YOU $409,488 6,021 74.37% $68.01
IT’S ONLY A PLAY $694,112 6,949 80.65% $99.89
JERSEY BOYS $630,632 6,398 65.13% $98.57
KINKY BOOTS $929,720 9,124 80.09% $101.90
LES MISÉRABLES $583,967 7,455 66.14% $78.33
MAMMA MIA! $700,567 8,028 86.06% $87.27
MATILDA $762,461 9,709 84.75% $78.53
ON THE TOWN $202,745 4,425 59.03% $45.82
ON THE TWENTIETH CENTURY $595,851 5,719 99.01% $104.19
SKYLIGHT $763,767 6,397 99.70% $119.39
SOMETHING ROTTEN! $903,211 11,691 87.66% $77.26
THE AUDIENCE $1,167,241 7,539 100.75% $154.83
THE BOOK OF MORMON $1,446,131 8,744 102.53% $165.39
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $682,260 6,839 83.98% $99.76
THE KING AND I $951,532 8,376 100.00% $113.60
THE LION KING $1,701,798 11,480 96.47% $148.24
THE PHANTOM OF THE OPERA $788,386 9,878 76.93% $79.81
THE VISIT $208,078 3,958 54.91% $52.57
WICKED $1,469,322 13,067 90.39% $112.45
WOLF HALL PARTS ONE & TWO $630,653 5,810 52.51% $108.55
Totals $26,460,109 263,268 83.50% $97.62

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 5/03/2015

This week’s notable movements on Broadway are:

“The Heidi Chronicles” and “Living on Love” Close

On May 3, 2015, both The Heidi Chronicles and Living on Love played their final performances on Broadway. Both shows chose to shutter their doors due to having received poor box office performance. Living on Love also closed having failed to receive any Tony nominations. The Heidi Chronicles, which received one nomination for Elisabeth Moss for Best Actress in a Leading Role in a Play, announced its closing prior to the revelation of the Tony nominations. Both shows saw a slight, but not significant, increase in sales in their last week of performances. Living on Love played its final week with a weekly gross of $160,105, which represents only 16.58% of its gross potential. This was not its all-time high; that took place in the week ending April 12, 2015, which was its first full week of performances, when it brought in $198,392. Still the final week saw a slight upturn of $4,459 from the week before, when the show had previously been declining in the two weeks prior. However, the show never broke through the $200,000 mark for any weekly gross, and therefore needed to close in order to avoid losing more unnecessary money. As for The Heidi Chronicles, the final week saw an upturn of $65,046, bringing the final gross to a high of $378,471. This is the largest gross earned in any week of the run, although it still only represents 42.47% of the gross potential. Despite earning good reviews, the box office was not up to speed, and the show therefore closed after 80 performances.

No Real Change Yet for “An American in Paris” or “Fun Home”

Two musicals that appear to be perhaps the strongest contenders for the Tony Award for Best Musical – An American in Paris and Fun Home – budged only slightly in the week ending May 3, 2015, although this week marked the announcement of these Tony nominations. However, in the month to come before the Tony Awards in early June, chances are that interest will continue to develop as buzz spreads for this hot race. Fun Home, which was a relatively unknown title before coming to Broadway from the Public Theater, brought in $531,985 this past week, which is an increase of $95,812 from the week before. In fact, this is the largest increase of any show this past week, but it is still not hugely significant. The show reached its highest potential of its weekly gross yet at 71.37%, but there is still room for growth to be competing the millionaire’s club along with other celebrated musicals. As for An American in Paris, buzz has already taken off as the show has been in the millionaire’s club for the past three weeks. This past week, it brought in $1,220,231, which represents 84.20% of its gross potential. Although this show was a surprise at the Tony nominations, sweeping with an incredible 12 nominations, many for newcomers, it already seems to be exciting at the box office. In this past week following the nominations, however, it actually brought in $15,016 less than the week before. As the Tonys approach, this show too will likely continue to creep upwards in its box offices grosses.

 

The following are the Broadway ticket sales numbers for the week ending May 3, 2015:Broadway-Show-Ticket-Analysis-05-03-15

Show Name GrossGross TotalAttn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $500,038 5,148 70.95% $97.13
AIRLINE HIGHWAY $157,029 3,419 68.16% $45.93
ALADDIN $1,408,344 13,785 100.01% $102.16
AN AMERICAN IN PARIS $1,220,231 13,026 96.98% $93.68
BEAUTIFUL $1,033,010 7,421 90.41% $139.20
CHICAGO $598,993 7,457 86.31% $80.33
DOCTOR ZHIVAGO $515,163 7,994 67.61% $64.44
FINDING NEVERLAND $1,093,498 11,308 93.98% $96.70
FISH IN THE DARK $1,158,381 8,694 101.28% $133.24
FUN HOME $531,985 5,700 97.60% $93.33
GIGI $550,516 6,833 61.71% $80.57
HAND TO GOD $346,364 4,758 76.05% $72.80
HEDWIG AND THE ANGRY INCH $418,702 4,203 69.56% $99.62
IT SHOULDA BEEN YOU $350,281 4,849 59.78% $72.24
IT’S ONLY A PLAY $584,042 6,078 70.54% $96.09
JERSEY BOYS $575,211 5,913 60.19% $97.28
KINKY BOOTS $901,034 8,471 74.36% $106.37
LES MISÉRABLES $571,832 7,732 68.59% $73.96
LIVING ON LOVE $160,105 4,821 56.16% $33.21
MAMMA MIA! $660,796 7,718 82.74% $85.62
MATILDA $735,660 9,430 82.31% $78.01
ON THE TOWN $501,640 7,944 52.99% $63.15
ON THE TWENTIETH CENTURY $489,687 5,639 97.63% $86.84
SKYLIGHT $776,373 6,401 99.77% $121.29
SOMETHING ROTTEN! $801,033 11,243 84.31% $71.25
THE AUDIENCE $1,166,293 7,534 100.68% $154.80
THE BOOK OF MORMON $1,407,988 8,749 102.59% $160.93
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $631,589 6,320 77.60% $99.93
THE HEIDI CHRONICLES $378,471 5,455 68.12% $69.38
THE KING AND I $998,387 8,376 100.00% $119.20
THE LION KING $1,908,299 12,937 95.13% $147.51
THE PHANTOM OF THE OPERA $837,178 10,503 81.80% $79.71
THE VISIT $194,145 4,342 60.24% $44.71
WICKED $1,387,456 12,512 86.60% $110.89
WOLF HALL PARTS ONE & TWO $724,737 6,805 61.51% $106.50
Totals $26,274,485 269,518 80.12% $93.66

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com

Broadway Show Ticket Sales Analysis w/e 4/26/2015

This week’s notable movements on Broadway are:

“The Heidi Chronicles” to Close Early

In the week ending April 26, 2015, The Heidi Chronicles brought in $313,425. This represents 35.17% of the show’s gross potential. Since the show began previews on February 23, 2015, and well past its opening on March 19, 2015, it has been struggling at the box office. Its highest weekly gross came in the week ending April 12, 2015, when it brought in $368,596, which still only represents 41.36% of its gross potential. From one perspective, this is surprising, as the show stars Elisabeth Moss of “Mad Men” fame, and Jason Biggs of American Pie fame. Furthermore, this is the first major production of the beloved playwright Wendy Wasserstein’s works since she passed away. However, these ingredients are not enough for this competitive Broadway season, and the show’s producers have therefore announced that the show will close on May 3, 2015. At that point, it will have played only 80 performances, including previews. This is in contrast to the 630 performances the play had in its run during 1989 – 1990. The show, which was capitalized at between $3.5 million and $4 million, will not recoup its initial investment.

Other Struggling Shows: “Airline Highway,” “Living on Love,” and “The Visit”

In addition, this past week, three shows that have recently begun performances are not demonstrating very much promise at the box office. The lowest weekly gross in the week ending April 26, 2015 was earned by Airline Highway, a Manhattan Theatre Club production at the Samuel J. Friedman theatre. That show brought in only $126,468 this past week, which represents 23.44% of its gross potential. Still, it is discounting heavily, as it managed to fill 86.7% of the audience across the eight performances. The next lowest weekly gross this past week was earned by Living on Love, the Renee Fleming vehicle based off of Garson Kanin’s play Peccadillo, which was now re-written by Joe DiPietro. This past week, the show brought in only $155,646, which represents 16.26% of its gross potential. With a top available ticket price of $275.00, the average paid admission was only $26.05, and the average audience capacity was 69.6%. Comp tickets were available in as wide a marketplace as to include studentrush.org and many highly accessible papering sites. Finally, the Chita Rivera starrer The Visit, written by John Kander and Fred Ebb, only brought in $180,105 this past week, which represents 23.62% of its gross potential. The average paid admission was only $34.45, and the average audience capacity was 72.5%. Time will tell whether these three shows can survive on Broadway much longer.

 

The following are the Broadway ticket sales numbers for the week ending April 26, 2015:Broadway-Show-Ticket-Analysis-04-26-15-small

Show Name GrossGross TotalAttn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $578,704 5,860 80.76% $98.76
AIRLINE HIGHWAY $126,468 4,349 86.70% $29.08
ALADDIN $1,492,453 13,786 100.01% $108.26
AN AMERICAN IN PARIS $1,235,247 12,819 95.44% $96.36
BEAUTIFUL $1,049,011 7,536 91.81% $139.20
CHICAGO $552,016 6,819 78.92% $80.95
DOCTOR ZHIVAGO $485,335 9,366 79.21% $51.82
FINDING NEVERLAND $1,096,966 11,594 96.36% $94.61
FISH IN THE DARK $1,182,215 8,720 101.58% $135.58
FUN HOME $436,173 5,350 90.37% $81.53
GIGI $570,683 7,322 66.13% $77.94
HAND TO GOD $343,575 4,575 73.13% $75.10
HEDWIG AND THE ANGRY INCH $702,944 6,363 90.27% $110.47
IT SHOULDA BEEN YOU $447,362 5,919 72.97% $75.58
IT’S ONLY A PLAY $678,842 6,895 80.03% $98.45
JERSEY BOYS $614,631 6,295 64.08% $97.64
KINKY BOOTS $927,593 9,087 79.77% $102.08
LES MISÉRABLES $724,981 9,108 80.80% $79.60
LIVING ON LOVE $155,646 5,975 69.61% $26.05
MAMMA MIA! $666,960 7,925 84.96% $84.16
MATILDA $995,903 11,296 98.60% $88.16
ON THE TOWN $567,250 8,560 57.10% $66.27
ON THE TWENTIETH CENTURY $462,221 4,973 86.10% $92.95
SKYLIGHT $775,492 6,416 100.00% $120.87
SOMETHING ROTTEN! $716,593 12,031 92.49% $59.56
THE AUDIENCE $1,164,521 7,537 100.72% $154.51
THE BOOK OF MORMON $1,469,646 8,744 102.53% $168.07
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME $713,943 7,147 87.76% $99.89
THE HEIDI CHRONICLES $313,425 4,195 52.39% $74.71
THE KING AND I $981,217 8,376 100.00% $117.15
THE LION KING $1,972,747 13,557 99.68% $145.52
THE PHANTOM OF THE OPERA $866,892 10,663 83.05% $81.30
THE VISIT $180,105 5,228 72.53% $34.45
WICKED $1,740,459 14,857 96.42% $117.15
WOLF HALL PARTS ONE & TWO $734,292 6,640 60.01% $110.59
Totals $27,722,510 285,883 84.35% $93.55

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2015 nytix.com