America’s Got Talent Audition Show At NJPAC Review
It is the tenth season of America’s Got Talent (AGT) TV show and to celebrate they taped two audition shows a day for the entire week beginning March 2nd, 2015 at the New Jersey Performing Arts Center (NJPAC) located in Newark, New Jersey. The ten taped shows were then edited/spliced together and broadcast as four single shows in June 2015, to kick off AGT’s season. This is the only time that AGT will be at this location this season and they intend to resume their confusing changes of location in the regular season to Pier 92, MSG Theater and Radio City Music Hall for the in-season shows. Many of the audition acts that are taped get deleted in the editing stage, so anyone at the taping may have seen something that will never air.
The Perfect Demographic To See The Show
Each show at the NJPAC is a four-hour taping marathon and seeing it being taped live, in person, can be a poor experience for many people. But, If you are an older person, or have a young family, this show is perfect for you as you are already a good match for the sweet spot of the actual TV viewing demographic.
The only problem is that the advertisers do not want you. They want the single 18-35 demographic and there are very few of those people actually at the taping or even watching it on TV.
Seeing the show taping live, in-person, feels like it was lifted from a non-descriptive, washed-up theme park somewhere in the mid-west. Other parts of show feel like you are on a Carnival Cruise, watching a second rate production that is rocking back and forth. The corny warm-up guy, the cheesy set and the over-the-top reactions of everyone in the production could be just the ticket at ClevelandWorld or Universal Ohio, but this taping actually feels depressing. With the older audience members going to the bathroom every five minutes and young children standing on their chairs screaming, many middle-aged theatregoers would be horrified with the audience antics. When the warm-up guy, Tom Kelly (who loves to keep promoting the Tom Kelly Show, whatever that is), works the crowd for the biggest fan scream, you know you are in trouble. It never ceases to amaze what people will do for a free tee-shirt at this show. Its a tee-shirt and it costs nothing, but its about the only thing that NBC is giving away for free.
The Show Gets Off To A Rocky Start
Standing outside the theater, the first experience of the show is the confusion caused by the audience management team about which line of people was first. It ends up with all the people who arrived first, going in last, at the back of the orchestra seats, behind everyone else, which causes a great deal of ill-will from the get-go. When everyone was finally loaded into the theater, the NJPAC is only about one-third full and the audience management team moved everyone to one side of the theater, to make it appear that the theater is actually much fuller than it is. They also put a few people on the mezzanine to make things look fuller to the camera, but it is clear there are still hundreds of seats free in the back of the orchestra, which are actually closer to the stage and have a better view, but producers care more about how it looks on TV than the actual experience for an audience member.
There are no large TV screens in the theater to help people who are far away to see better, so anyone not in the front rows will not have the ability to see an act clearly, especially their facial expressions, which is something you would normally see at home. For some of the acts, many of the audience members start booing well before the act has even got underway because they are unable to see the subtle nuance of what is actually going on stage.
This TV show, much like other TV shows in New York City has a warm-up guy to get the crowd going. In this case it is Tom Kelly, who has worked on many other New York TV shows. It might be the fact that he is doing two shows a day that is killing him, but Kelly was not funny and often just annoying – especially after dedicating a full thirty minutes (yes, thirty minutes) on a how-to-clap part that killed any natural audience reaction during the show. In the first half of the show there were over forty six forced standing ovations. By the end of the show it was over eighty.
The acts were good, but not that good. Kelly tried to fill in the gaps between taping with some clever banter, but was only able to make jokes at the expense of some orthodox Jews, some old people and some young black men. His multiple Fifty Shades of Grey references were way too inappropriate for the children at the show and he should know better. His failing grade at this show underlines NBC’s selfish interest to deliver good TV and treat the studio audience like idiots.
Nick Cannon Does Not Host The Live Show
Contrary to popular belief, although Nick Cannon does appear briefly on stage at the theater, Cannon is not the show host at the theater and gets very little stage time. He does, however, become the show host on TV, as he is always on the side of the stage talking to to the camera, which the theater audience is not privy to. Audience members at the theater do not get to see him until the TV editing is complete and he is added back into the process and then broadcast.
The Acts On The Show
The show consists of twenty audition acts, wrapped into the four hours of taping. The long hours of taping wear thin on the judges who have been banging out two shows all week long. On a couple of occasions, Howard Stern indicates that an act is “actually making me depressed”, but it was not the act that was causing his unhappiness, it may have been the show itself.
Each half of this show was two hours long with ten acts per half. Many of the acts in the show were quite interesting, especially during the audition phase, where anything could pop up, especially the “possibly oedipal” mother and son ballet dancers, but the taping process is so long and drawn out that any natural enjoyment of the show is fully diluted. The audience gets restless, if not bored, by Tom Kelly’s repetitious lines of “who wants to be on TV” and “let’s give another round of applause to..” uttered over a mind numbing fifty times. Watching this TV show in person is perfect for those that want an afternoon out with the kids at no cost, but for anyone with a brain, it may be better to watch paint dry and wait for the edited versions of the show to be broadcast on TV where you do not have to undergo mindless hours of delay, repetition and boredom during the taping.
NBC and the AGT producers are not really interested in improving the audience experience at this live show event and are mainly focused on just making a good TV show for the camera. This being said, the live audience at this show is often an after-thought and they are mainly used as a prop, rather than the human beings that they actually are. Tickets to the audition shows are available on the day of the show and on their website and they are often desperate for audience members, because seeing this show live is just not that popular, despite its ratings according to Nielsen.