Tupac Shakur Musical “Holler if Ya Hear Me” Begins Previews

“Holler if Ya Hear Me”, Inspired By The Late Tupac Shakur, Begins Previews On Broadway

Tupac Shakur is one of the best-selling music artists of all time, having sold over 75 million records in his career.  His albums include “2Pacalypse Now,” “Until the End of Time,” “All Eyez on Me,” “Me Against the World,” and “Pac’s Life.”  The life of this brilliant rapper and actor was cut short in 1996, however, when he was shot multiple times in a drive-by shooting in Las Vegas at the age of only 25.  Despite the brevity of his career, he has managed to maintain a huge following and long-standing appreciation, with Rolling Stone Magazine having recently proclaimed him the 86th Greatest Artist of All Time.  The themes of Tupac’s music often involve the hardship of the life in inner cities, as well as racism and other social issues; both of his parents were members of the Black Panther Party.  Tupac’s legacy has been upheld through organizations, honors, and multiple documentaries, but for the first time, his music and story are coming to Broadway.

holler if ya hear meOpening  scheduled for June 19, 2014 at the Palace Theatre on Broadway

On June 2, 2014, Holler if Ya Hear Me, a new musical inspired by the music of Tupac Shakur, will begin previews at the Palace Theatre.  With an opening night scheduled for June 19, 2014, the musical is presently set for an open-ended run.  The show is directed by Kenny Leon, whose magnificent career has sky-rocketed in recent years to define him as the preeminent interpreter of African American content for the Broadway stage.  The book was written by Todd Kreidler, who has served as Dramaturg for two Broadway productions directed by Leon and written by August Wilson – Gem of the Ocean and Radio Golf – and who also associate directed another Leon-Wilson collaboration: Fences starring Denzel Washington in 2010.  This is the first time, however, that Kreidler has stepped up to a major position on the creative team of one of Kenny Leon’s productions.  The choreography is by Wayne Cilento (The Who’s Tommy, Wicked).

The Show borrows “Holler if Ya Hear Me” from Tupac’s Second Album

The title of this musical comes from the name of a song on Tupac’s second studio album.  The story is not exactly a biographical depiction of the late singer’s life, however; it is a fictional tale of a young black man who is released from prison, only to face a continued slew of obstacles that lie in his path.  It uses the phrases and ideas found in Tupac’s music to tell this universal tale of friendship, family, love, and hope.  The musical received a 5-week workshop last summer in anticipation of its Broadway run this season.  The show is produced by Tupac’s mother, Afeni Shakur, along with Eric L. Gold, Chunsoo Shin, Jessica Green, and Marcy Kaplan-Gold.  The large cast is made up mostly of ensemble, but it also includes actors such as Tonya Pinkins (Caroline or Change, Radio Golf) and the principal young man is played by actor and rapper Saul Williams, making his Broadway debut.

The Show Is Geared For A Wide Demographic, But Socially Conscious

The intention of the show is socially conscious, which is an unusual first motive for Broadway shows, especially thostupac shakure opening in the summer season, generally known for lighter fare such as Beatles revues and long-running shows.  However, Leon and his cast will not shy away from shining a light on important issues at the heart of the contradictions in American society.  Geared for a wide demographic of all ages and colors, the show will nevertheless aim to expose the hypocrisy of free speech in present day American culture.  Thankfully, the prominent voice kept alive through Tupac’s music will now find another outlet on the Broadway stage.

“School of Rock” Heading to Broadway

School of Rock, inspired by the 2003 film, in development for Broadway

The film School of Rock was released in 2003 to impressive critical acclaim and stupendous box office success.  Starring Jack Black as Dewey Finn, a struggling rock guitarist who unwittingly becomes an inspiring children’s rock music teacher, School of Rock opened at #1 at the box office, earning $19,622,714 in its first weekend, and it eventually reached a total box office gross of $131,282,949.  Directed by Richard Linklater (Dazed and Confused, Before Sunrise trilogy) and produced by Scott Rudin, the film was beloved by a wide demographic audience, earning an impressive 92% on Rotten Tomatoes, as well as a high rating of “universal acclaim” on Metacritic, which amasses the critical response to films.  In addition, the movie spurred a string of small town rock n roll schools to teach music to children that borrowed the name “School of Rock.”

Andrew Lloyd Webber’s Really Useful Group Behind the Adaptation

Last year, it was announced that School of Rock has its sights set on the stage.  Even more interestingly, the producing mind behind this adaptation is none other than Andrew Lloyd Webber, the composer of such classic musicals as Jesus Christ Superstar, The Phantom of the Opera, and Cats.  In addition to being a musical creative genius, Webber founded a London-based producing entity in 1977 called the Really Useful Group.  RUG has since expanded to be concerned with not only stage productions, but also film, television, video, and concert productions.  Furthermore, the company owns and operates six theatres in the West End of London: the Adelphi Theatre, the Cambridge Theatre, the New London Theatre, the London Palladium, the Theatre Royal Drury Lane, and Her Majesty’s Theatre, where The Phantom of the Opera has been playing since 1986.jack black school of rock

Issues in Adaptation From Movie To Broadway

Though School of Rock may seem a far cry from The Phantom of the Opera, it is clear that Webber is less concerned with genre than with quality, and both may boast excellence in those terms.  In an interview last year with CBS Radio, Webber made an off-hand comment that he is “very excited” about the development of the stage production of this successful movie.  One question is that of the score: the movie already has a substantial number of songs included, encompassing both a range of classic rock tunes as well as new songs written for the film.  Webber mentioned that there is the possibility of his composing additional songs for the stage musical version, but that an attempt would be made to bridge the already existing score with anything new required for the live medium.

Will Jack Black reprise his role?

Another question is that of casting.  It is possible that Jack Black could reprise his role for the stage, as he has a huge following, both in terms of his screen acting, as well as through his rock music group Tenacious D.  However, he has never played a role on stage, neither on Broadway nor in London, where this musical might premiere.  Though Webber has made no insinuation that Black may be the one to play Dewey Finn onstage, it is very possible that Black could be tempted to make this his stage debut.  As of now, the only solid piece of news is that the Really Useful Group, under the leadership of Andrew Lloyd Webber, has bought the rights to turn this movie into a stage show.  We will hopefully soon be told more information, including cast, creative team, and schedule of when to expect this show to premiere.

Barbara Walters Says Farewell to “The View”

Barbara Walters Winds Down Her Television Career

On May 13, 2013, Barbara Walters announced that she would be retiring from appearing on television in approximately one year.  As promised, her final appearance as co-host on The View occurred on May 16, 2014.  Her retirement comes after a long and successful career as a television journalist, and her decision to retire, she said, was purely her own.  She remains on a co-executive producer of The View along with Bill Geddie, and will continue to do so as long as the show is on the air.  Presently, the remaining hosts of The View are Whoopi Goldberg, Sherri Shepherd, and Jenny McCarthy.  In total, there have been eleven co-hosts of the show since its inception in 1997, and all of them appeared to celebrate Barbara Walters on the show the day before her retirement.

barbara waltersWalters’ Career Trajectory

Walters has been a co-host and contributor to ABC News since 1976.  Prior to that, she had worked as a writer and research for NBC’s The Today Show since 1961, soon becoming that show’s regular “Today Girl.”  She effectively became co-host of The Today Show within a year after that, but the show’s male host Frank McGee refused to allow her equal responsibilities.  She was finally named co-host in 1974, but soon left for ABC.  At ABC, she first served as an anchor for ABC Evening News for two years, and she became a co-host of the ABC newsmagazine 20/20 in 1979.  She became known for her “personality journalism” and “scoop interviews,” and her access to public figures soon became unparalleled.  She crossed the Bay of Pigs with Fidel Castro, and she asked Vladimir Putin outright if he had ever ordered anyone to be killed; his answer was no.

Her Health and Personal Life

At age 84, Barbara Walters is in admirable health.  In May 2010, she took a leave from The View to undergo open heart surgery, but she returned to work in September.  As for her personal life, she has been married four times to three different men, because she divorced and then remarried her most recent husband, Merv Adelson.  Her first marriage was annulled in under a year, and her second marriage – to theatre producer and theatre own Lee Guber – resulted in her only child, an adopted daughter named Jacqueline Dena Guber (born 1968).  Upon her retirement, she does not plan to climb another mountain or appear on another program; rather, she said, she wants to sit on a sunny field and admire the gifted women who will be taking her place.

Walters’ Legacy

Walters leaves an extraordinary legacy, particularly for young women aspiring to work in the television field.  She was inducted barbara walters whoopi goldberg sherri shepherd jenny mccarthy the viewinto the Television Hall of Fame in 1989, and she received a star on the Hollywood Walk of Fame in 2007.  She has also received numerous awards, including several Daytime and Prime Time Emmy Awards, as well as the Lifetime Achievement Award from the New York Women’s Agenda.  She also received the Lifetime Achievement Award at the 30th Annual News and Documentary Emmy Awards, presented at Lincoln Center.  Amongst her honors, many have been awarded for The View, including the 2003 Daytime Emmy Award for Best Talk Show, as well as the 2009 Daytime Emmy Award for Outstanding Talk Show Host.  The View will perhaps be her most lasting and personal legacy.

Extraordinary Final Ratings

Her retirement may have been spurred by a lack of recognition of her achievements by young people, who no longer know who she is.  Like anyone getting on in age, eventually her relevance will fade, as will the advertisers’ interest in her programs.  However, the ratings for her final on-air week on The View reached a three year high.  4.1 million viewers tuned in to see Barbara Walters in her final week, and for the demographic of 18 to 49 year-old women, the week earned a one and a half year high, reaching 648,000 viewers in that group.  Still, the crowd did skew older, with 830,000 women aged 25-54 but only 204,000 of them aged 18-34; nevertheless, those numbers both reached one year highs.

Who Will Her Successor Be?

It is not yet certain who will replace Walters on The View.  Five ideas that have circulated in the press include Robin Roberts, Rachel Maddow, Megyn Kelly, Ellen DeGeneres, or Katie Couric.  Some even suggest that the seat could be filled by a man.  After all, no one could really take her place.

Broadway Show Ticket Sales Analysis w/e 5/25/2014

Overview of Broadway Ticket Sales for the week ending 5/25/2014

This week saw some changes with overall increase of $1.5 million in tickets sales over the previous week.

Broadway Ticket Sales Picking Up With The Warm Weather And Tourists

Overall, the entire Broadway community saw an increase of $1,508,163 in the week ending May 25, 2014 from its gross of the week before.  The majority of individual shows also saw an increase, with those showing a decrease doing so only slightly.  The biggest increases were seen by long-running musicals, with The Phantom of the Opera going up by $175,375, Cinderella increasing by $174,913, Matilda up by $160,653, Wicked increasing by $126,757, and The Lion King going up by $110,196.  Surprisingly, the biggest decrease was shown by the Tony Award nominated Best Play, and Drama League winner of Best Play, All the Way, which was down $49,238 from the week prior.  However, this decrease is still slight, as All the Way still saw a remarkable gross of $996,622, just slightly off from the million dollar club.  The fact that even the biggest loser did so well supports the observation that this was an overall excellent week for Broadway.  As the summer season is approaching and the school term is ending, more tourists are flocking to New York City to buy theatre tickets, and more New York natives are considering the theatre as a destination for their outings.

2014 Tony Award Nominated Shows Lead The Pack In Ticket Sales Growth

With the Tony Awards just over a week away, it is interesting to see how the most nominated shows are faring at the box office.  Leading the pack with ten nominations, including that for the coveted award of Best Musical, is A Gentleman’s Guide to Love and Murder.  This past week, it saw a respectable gross of $720,993, which was an increase of $64,973 from the previous week.  With an average ticket price of $98.19, ticket buyers are willing to shell out the cash to see this anticipated new show.  The second most nominated show is the musical Hedwig and the Angry Inch, which boasts eight nominations including Best Revival of a Musical.  Though this is considered a revival for purposes of Tony consideration, it is the first time this show has been on Broadway, but not its first time in New York.  Hedwig and the Angry Inch made almost exactly the same amount of money this week as last week, earning $982,475, which was a decrease of just $731 from last week.  Still, this extremely hot ticket show made 117.74% of its gross potential, with fans begging to see Neil Patrick Harris in this transformative performance.

Small Broadway Show Ticket Analyses w/e 5-25-14


The following are the Broadway ticket sales numbers for the week ending May 25, 2014:

Show GrossGross Total Attn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $720,993 7,343 101.20% $98.19
A RAISIN IN THE SUN $1,198,950 8,368 100.00% $143.28
ACT ONE $458,136 6,287 72.50% $72.87
AFTER MIDNIGHT $574,689 6,895 83.19% $83.35
ALADDIN $1,207,953 13,787 100.02% $87.62
ALL THE WAY $996,622 9,348 109.56% $106.61
BEAUTIFUL $1,089,414 8,243 100.43% $132.16
BULLETS OVER BROADWAY $890,024 10,091 77.38% $88.20
CABARET $836,301 7,140 99.94% $117.13
CASA VALENTINA $277,233 4,242 82.34% $65.35
CHICAGO $635,283 7,636 88.38% $83.20
CINDERELLA $888,512 11,416 81.50% $77.83
HEDWIG AND THE ANGRY INCH $982,475 7,210 102.28% $136.27
IF/THEN $918,720 8,796 83.87% $104.45
JERSEY BOYS $819,397 8,305 84.54% $98.66
KINKY BOOTS $1,545,334 11,408 100.14% $135.46
LADY DAY AT EMERSON’S BAR & GRILL $514,656 4,508 94.43% $114.17
LES MISÉRABLES $1,117,446 10,718 95.09% $104.26
MAMMA MIA! $711,061 8,218 88.10% $86.52
MATILDA $1,090,839 11,194 97.71% $97.45
MOTHERS AND SONS $198,844 3,064 47.76% $64.90
MOTOWN THE MUSICAL $1,124,613 11,113 92.18% $101.20
NEWSIES $647,526 9,113 96.13% $71.06
OF MICE AND MEN $859,979 8,439 98.31% $101.91
ONCE $525,658 6,863 81.01% $76.59
PIPPIN $694,545 7,441 93.95% $93.34
ROCK OF AGES $326,452 4,045 86.73% $80.71
ROCKY $719,407 8,858 73.04% $81.22
THE BOOK OF MORMON $1,734,588 8,752 102.63% $198.19
THE CRIPPLE OF INISHMAAN $614,925 6,871 80.04% $89.50
THE LION KING $2,006,651 13,604 100.03% $147.50
THE PHANTOM OF THE OPERA $1,138,294 12,893 100.41% $88.29
THE REALISTIC JONESES $574,791 6,345 90.95% $90.59
VIOLET $408,945 5,220 88.90% $78.34
WICKED $1,881,975 15,316 99.30% $122.88
Totals: $30,931,230 299,090 90.68% $100.55

Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2014 nytix.com

Annette Bening joins John Lithgow in “King Lear”

The Storied Past of Shakespeare in the Park

Ever since 1961, when theatrical impresario Joseph Papp famously convinced New York City parks commissioner Robert Moses to build an outdoor amphitheater in Central Park, the Public Theater has produced the annual New York Shakespeare Festival, also known as Shakespeare in the Park, at the Delacorte Theatre.  Renowned for its unusual combination of free tickets for all, as well as highly acclaimed productions often starring household names, this outdoor festival is a rare treat for New York theatregoers.  This year, the Festival has two productions: Much Ado about Nothing and King Lear.  Though the Festival does not always feature exclusively Shakespeare, it generally has two productions in the series, and this year they are both by the Bard.  The last time that King Lear was a production of this Festival was in 1973.  Much Ado about Nothing, on the other hand, has been staged at the Delacorte three times before, most recently in 2004.

shakespeare in the park delacorte theatreJohn Lithgow Headlines King Lear

It was announced several weeks ago that King Lear, which begins performances on July 22, 2014 and runs until August 17, 2014, will star John Lithgow in the title role.  Lithgow was last seen in Shakespeare in the Park in 1975, when he played Laertes in Hamlet.  He is also well known for his work on television shows such as 3rd Rock from the Sun and Dexter, andhisfilm performances in such movies as Shrek, The World According to Garp, and Terms of Endearment.  Furthermore, he has been seen on Broadway in plays including The Columnist, M. Butterfly, Requiem for a Heavyweight, and the 2008 revival of All My Sons.  At the same time as this lead casting announcement, it was publicized that King Lear will be directed by Daniel Sullivan, who has overseen several productions at Shakespeare in the Park including The Comedy of Errors, Twelfth Night, and The Merchant of Venice, as well as Broadway shows such as Glengarry Glen Ross and The Snow Geese.

Annette Bening Joins The Cast

Recently, an exciting piece of casting news was announced for King Lear.  Annette Bening, who was last seen on Broadway in annette bening1987 in Coastal Disturbances, will play Lear’s eldest daughter Goneril.  Bening has been nominated for four Academy Awards: for her roles in The Grifters, Being Julia, American Beauty, and The Kids Are All Right.  She has also won Golden Globe Awards for her performances in Being Julia and The Kids Are All Right.  Though she has not been since on the New York stage in over 20 years, her career originated in the theatre.  She studied at the American Conservatory Theater in San Francisco, where she played roles including Lady Macbeth.  She also has been seen onstage at the Denver Center Theatre Company, and she has recently performed at Los Angeles’ Geffen Playhouse.  She also received a Tony Award nomination for her role in the Broadway production of Coastal Disturbances.  The other two sisters in King Lear will be played by Jessica Hecht (Regan) and Jessica Collins (Cordelia).

King Lear Follows Much Ado About Nothing in Park Season

As for the first of the two productions in Shakespeare in the Park – Much Ado about Nothing – it will star Lily Rabe as Beatrice and Hamish Linklater as Benedick, and it will be directed by Jack O’Brien (The Nance, The Coast of Utopia, Macbeth).  Much Ado about Nothing will begin performances at the Delacorte on June 3, 2014 and will run for five weeks.

Broadway Revival of “Titanic” Postponed

Titanic the Musical First Premiered on Broadway in 1997

Titanic, a musical rendition of the story of the RMS Titanic disaster, premiered on Broadway in April 1997, with a book by Peter Stone, music and lyrics by Maury Yeston, directed by Richard Jones, and choreographed by Lynne Taylor-Corbett.  Though one could easily presume that this musical followed in the recently popular tradition of movie to musical adaptations, this musical was in fact not an adaptation of James Cameron’s immensely popular film.  That movie, starring Leonardo DiCaprio and Kate Winslet in career defining roles, was released in December 1997, months after the Broadway musical was already running.  The film release did help propel interest in the disaster story, and subsequently the musical had at least 80% attendance throughout much of 1998.  However, interest in the musical soon began to dwindle, and the show closed in March 1999, after about 2 years.  Still, the show was considered to be quite successful, as it won all five 1997 Tony Awards for which it was nominated: Best Musical, Best Score, Best Book, Best Scenic Design, and Best Orchestrations.

titanic cd coverRevival Has Been Postponed Due to Lack of Theatre Availability

This Tony Award winning Best Musical has therefore been on the minds of theatrical producers for revival for some time.  In January of this year, it was announced that the revival had finally been set, under the guidance of producers Barry and Fran Weissler, as well as David Mirvish.  The show was to be directed by Thom Sutherland, who staged a well-received production of the musical at London’s Southwark Playhouse in 2013.  The plan was for an out-of-town Broadway pre-run to be mounted at Toronto’s Royal Alexandra Theatre from July 22nd to August 31st, and then for a Broadway engagement to follow in fall 2014 at a theatre yet to be decided.  However, it was just announced that both the Toronto production and the Broadway revival have been postponed, due to the lack of a suitable available theatre.  Although this is an issue specific to the New York production, the financing for the out-of-town tryout was reliant on the Broadway run, and thus both have been cancelled.

Theatre Availability A Common Issue For Producers

It is a common issue for theatre producers to have difficulty finding an adequate theatre for an intended production.  It is not only important for a theatre to be available, but it is crucial that a theatre of the right size be vacant in order to attract enough audience members to make the recoupment of the show’s capitalization possible in a feasible amount of time.  Because many theatres suitable for large-scale musicals such as Titanic are taken up by long-running shows that have no intention of closing anytime soon, such as The Phantom of the Opera, Chicago, Mamma Mia!, and The Book of Mormon, this leaves very few options for new musicals or musical revivals to find their ideal home.  This also creates a competitive environment wherein producers are actually eager for other shows to close, so that their show can come to Broadway as planned.  Many of the theatres that are frequently available are more suitable for straight plays, as those tend to have limited engagements, especially as their profitability often relies on the presence of A-list Hollywood stars whose busy schedule only allows for 12 to 20 week runs.  The frequent turnover of play-sized theatres, therefore, leaves few remaining for musicals to inhabit.

Revival Still Forthcoming

It is not clear when the revival of Titanic will find its way to Broadway.  In a press release, the producers have stated that they are committed to bringing this show to Broadway as soon as scheduling allows.  Even for Broadway stalwarts such as the Weisslers, who are also the producing team behind Chicago, Pippin, and many more hit shows, theatre availability can be a serious problem preventing their projects from hitting the stage, even when the creative team and producers are ready to go.

barry and fran weissler namco producers

Barry and Fran Weissler, Producers

Broadway Show Ticket Sales Analysis w/e 5/18/2014

This week’s notable movements on Broadway are:


The Bridges of Madison County concluded its run on Sunday, May 18, 2014 due to slow ticket sales.  However, the announcement of its closing appears to have attracted last minute ticket buyers who wanted to see the show while they still had a chance.  The show reached its highest gross of its four-month run this past week, earning $590,791, which was an increase of $197,805 from the previous week.  Its second highest grossing week was the week ending March 16, 2014, where it grossed $476,374.  In this past week, the average ticket price was $73.71, which was almost the highest it has been (with the exception of two weeks), proving that audience members were willing to spend a lot of money for the opportunity to see this show.  This proves that slow ticket sales do not necessarily denote a lack of interest in a show; it may just mean that with so much competition on Broadway, a show may not get seen if it doesn’t break through to first or second priority, especially for tourists on vacation.  Furthermore, as successful musicals tend to be long-running, ticket buyers may have expected this show to be around for a while, and when closing was announced, they took advantage of the limited time to buy a ticket.


This past week, Robert Schenkkan’s play All the Way grossed $1,045,860, which was an increase of $217,564 from the previous week.  Starring Bryan Cranston as Lyndon B. Johnson, this play just won the Drama League Award for Best Play.  Perhaps the press about this win explains the upsurge in ticket buying, or perhaps interest in this popular show just happened to crescendo this past week, but in any case, this illustrates that All the Way is a strong contender for the Tony Award for Best Play, which will be announced in just a few more weeks.  Its competitors for that honor are Casa Valentina, Outside Mullingar, Act One, and Mothers and SonsOutside Mullingar has already closed, and the other three plays saw modest to no increase in ticket sales this past week.  If financial data has anything to do with awards recognition, then All the Way may just make it “all the way” to the big win.

The following are the Broadway ticket sales numbers for the week ending May 18, 2014:

Broadway Show Ticket Sales Analysis w/e 5-18-2014

Show GrossGross Total Attn %Cap AvgPdAdm
A GENTLEMAN’S GUIDE TO LOVE AND MURDER $656,020 7,261 100.07% $90.35
A RAISIN IN THE SUN $1,183,010 8,368 100.00% $141.37
ACT ONE $454,330 6,349 73.21% $71.56
AFTER MIDNIGHT $555,630 7,096 85.62% $78.30
ALADDIN $1,137,093 13,788 100.03% $82.47
ALL THE WAY $1,045,860 9,059 106.18% $115.45
BEAUTIFUL $1,063,319 8,272 100.78% $128.54
BULLETS OVER BROADWAY $925,374 10,071 77.23% $91.88
CABARET $735,777 6,817 96.07% $107.93
CASA VALENTINA $272,793 4,174 81.02% $65.36
CHICAGO $536,505 6,231 72.12% $86.10
CINDERELLA $713,599 9,420 67.25% $75.75
HEDWIG AND THE ANGRY INCH $983,206 7,214 102.34% $136.29
IF/THEN $812,712 8,547 81.49% $95.09
JERSEY BOYS $776,136 7,808 79.48% $99.40
KINKY BOOTS $1,514,754 11,307 99.25% $133.97
LADY DAY AT EMERSON’S BAR & GRILL $540,517 4,696 98.37% $115.10
LES MISÉRABLES $1,123,088 10,698 94.91% $104.98
MAMMA MIA! $667,885 7,784 83.45% $85.80
MATILDA $930,186 10,404 90.82% $89.41
MOTHERS AND SONS $198,925 2,815 43.87% $70.67
MOTOWN THE MUSICAL $1,124,866 10,854 90.03% $103.64
NEWSIES $588,306 8,084 85.27% $72.77
OF MICE AND MEN $875,771 8,463 98.59% $103.48
ONCE $490,998 5,781 68.24% $84.93
PIPPIN $598,091 6,684 84.39% $89.48
ROCK OF AGES $330,603 4,045 86.73% $81.73
ROCKY $742,525 9,098 75.02% $81.61
THE BOOK OF MORMON $1,673,283 8,752 102.63% $191.19
THE BRIDGES OF MADISON COUNTY $590,791 8,015 98.32% $73.71
THE CRIPPLE OF INISHMAAN $563,894 6,514 75.89% $86.57
THE LION KING $1,896,455 13,530 99.49% $140.17
THE PHANTOM OF THE OPERA $962,919 11,656 90.78% $82.61
THE REALISTIC JONESES $590,378 6,360 91.17% $92.83
VIOLET $403,042 5,226 89.00% $77.12
WICKED $1,755,218 15,036 97.48% $116.73
Totals: $30,013,854 296,277 87.96% $98.45


Broadway ticket sales raw data are provided courtesy of The Broadway League All other data, text, opinion, charts and commentary are copyright © 2014 nytix.com

Drama League Winners Announced

drama leagueThe 80th Annual Drama League Awards Ceremony took place today, May 16, 2014.  The luncheon was held in the Broadway Ballroom at the Marriott Marquis Hotel in Times Square.  Though the Drama League Awards are not considered to be as high an honor as the Tony Awards, it is definitely an immense distinction to earn a Drama League Award, and they are often thought to point to the direction that the Tony Awards may be leaning.  Led by executive director Gabriel Shanks, the Drama League Awards are the oldest theatrical honors in America, having been given since 1922, and formally awarded since 1935.  The Tony Awards, on the other hand, were founded in 1947.  They are distinguished from all other major awards because they are chosen by audience members, specifically the thousands of individuals who make up the Drama League membership from all around the country.

And now for the winners!  The award for Distinguished Production of a Musical was given to A Gentleman’s Guide to Love and Murder, which is also nominated for the equivalent Tony category, and which has been nominated for the greatest number of Tony Awards: 10.  This adds momentum to the Tony campaign for this new musical, whose competitors for thea gentleman's guide to love and murder a new musical comedy Tony category of Best Musical are Aladdin, After Midnight, and Beautiful: The Carole King Musical.  The award for Distinguished Production of a Play was given to All the Way by Robert Schenkkan.  Starring Bryan Cranston as Lyndon Johnson, the play is a historical drama recounting the era of civil rights struggles in the 1960s.  The Distinguished Revival of a Musical was chosen to be Hedwig and the Angry Inch, and the Distinguished Revival of Play was determined to be The Glass Menagerie.  The Drama League only gives one Distinguished Performance Award, which was awarded to Neil Patrick Harris for his performance in the title role of Hedwig and the Angry Inch.

Furthermore, Barbara Cook was given an award for Distinguished Achievement in Musical Theatre.  At the age of 86, Cook was last seen on Broadway in 2010 for Sondheim on Sondheim, and she is well known for her roles in such shows as Plain and Fancy, Candide, and The Music Man.  In addition, the award for Unique Contribution to the Theatre was given to John Gore of Key Brand Entertainment and Broadway Across America.  Gore founded Key Brand Entertainment in 2004, and acquired Broadway Across America in 2008, as well as the e-commerce theatre website Broadway.com.  As a theatre producer, Gore’s Broadway credits include Bullets over Broadway, Betrayal, Jerusalem, Passing Strange, One Man Two Guv’nors, The Mountaintop, and many more.  Finally, the Founders Award for Excellence in Directing was given to John Tiffany, who directed The Glass Menagerie this season.  Of Scottish origin, Tiffany has only three Broadway credits, the first of which was Once, winner of the 2012 Tony Award for Best Musical and a long-running hit.  He also directed Alan Cumming’s one man show Macbeth last year.

Broadway Fall 2014 Line-Up Falling into Place

This fall looks to be an exciting one on Broadway!  Let’s face it – every new season is pretty exciting.  But with the Tony Awards still a month away to commend the brilliant plays and musicals of the 2013-2014 season, announcements are already being made for shows to open next fall.

It was recently announced that Hugh Jackman will be returning to Broadway this fall in Jez Butterworth’s play The River.  Jez Butterworth’s work was last seen on Broadway with the 2011 production of Jerusalem starring Mark Rylance, directed by Ian Rickson, and prohugh jackmanduced by London-based powerhouse theatre production company Sonia Friedman Productions.  Sonia Friedman will be shepherding a Butterworth play once again, after having watched over its production at the Royal Court Theatre, where Jerusalem also premiered.  The partnership between Ian Rickson and Jez Butterworth also holds strong, as Rickson is on board to direct this play.  The River is about a loner on a remote island and the two women in his life, who will be played by British actresses Laura Donnelly and Cush Jumbo.  The River will begin performances at the Circle in the Square Theatre on October 31, 2014.  A favorite of the Great White Way, Hugh Jackman sold out his 2011 one-man show Hugh Jackman: Back on Broadway, and he will host the Tony Awards this year for the fourth time.

In addition to the proven partnership between director Ian Rickson and playwright Jez Butterworth, another fall show will see the recurrence of a proven Broadway partnership, this time between two beloved actors.  Nathan Lane and Matthew Broderick, who famously co-starred in 2001’s The Producers, will join forces this fall for a Terrence McNally play called It’s Only a Play, directed by Jack O’Brien.  Like The Producers, It’s Only a Play is also a comedy based in the world of show biz.  Having premiered at the Manhattan Theater Club in 1986, It’s Only a Play is the story of a nervous playwright (Broderick) at the opening night party for a play he has written, and his interactions with his backstabbing friend (Lane).  Produced by Tom Kirdahy, who is married to Terrence McNally, the play will begin performances in September at a theatre yet to be announced.

Producer Scott Rudin also has a starry play up his sleeve for this fall.  This Is Our Youth, written by Kenneth Lonergan (You Can Count on Me, Margaret, The Starry Messenger) first premiemichael cera kieran culkinred Off-Broadway in a production by The New Group in 1996.  The play centers on three aimless teenagers in New York City, and this Broadway production will star Michael Cera, Kieran Culkin, and Tavi Gevinson.  Directed by Anna D. Shapiro (Motherf**ker with the Hat), the show will have an out-of-town pre-Broadway run at the Steppenwolf Theatre in Chicago over the summer, and it will then transfer to Broadway’s Cort Theatre with performances beginning August 18, 2014.  Michael Cera and Kieran Culkin also appeared in their same roles in an Australian production of this play in 2012, directed by Mark Brokaw.

Further fall productions that have been announced include Simon Stephens’ play The Curious Incident of the Dog in the Night-time, which is a transfer from London’s National Theatre via the West End.  The play will occupy the Ethel Barrymore Theatre with previews beginning September 15, 2014.  In addition, The Country House by Donald Margulies will star Blythe Danner at the Samuel J. Friedman Theatre, with previews beginning September 9, 2014 in a Manhattan Theatre Club production.  Finally, it has also been announced that a production of Tom Stoppard’s The Real Thing will play at the American Airlines Theatre in a Roundabout Theatre Company production, starring Maggie Gyllenhaal, Ewan McGregor, and Cynthia Nixon, and directed by Sam Gold.  This is just the tip of the iceberg, however, as many more exciting shows are sure to be announced for the Broadway fall season in the coming months.

“Kinky Boots” Takes an Unusual Hiatus

Kinky Boots has been playing at the Al Hirschfield Theatre on Broadway since it began previews on March 3, 2013.  With a book by Harvey Fierstein (La Cage aux Folles, Newsies, Casa Valentina), a score by the singer songwriter Cyndi Lauper, and directed and choreographed by Jerry Mitchell (Legally Blonde: the Musical, The Rocky Horror Show revival), the musical is based on the 2005 film of the same name and inspired by a true story.  Kinky Boots is the sensationalized tale of a young man struggling to keep his father’s boot factory afloat in England, only to resuscitate it as a maker of boots for drag queens.  In addition to winning the Tony Award for Best Musical in 2013, it also took home the Tony Awards for Best Score, Best Actor (Billy Porter), Best Sound Design of a Musical, Best Choreography (Jerry Mitchell), and Best Orchestrations (Stephen Oremus), with an additional seven nominations.  Needless to say, the show is a hit, consistently playing to well over a million dollar grosses.

In a generally unprecedented move, Kinky Boots took a brief hiatus this past week.  Between May 8, 2014 and May 13, 2014, the show went dark, but the theatre did not.  Univision, the American Spanish language television station that boasts one of the largest audiences of SpKinky boots broadwayanish speaking television viewers in the world, rented out the Al Hirschfield Theatre over this period, during the time that the show would have played a full week of eight performances.  The only reason this was possible was because of Univision’s monetary power, as they not only paid for the theatre rental, but additionally paid the producers and theatre owners for the lost revenue in ticket sales over the eight performances in the 1,437 seat venue.  Furthermore, they also compensated the actors and stage crew, who were paid for their vacation as if they had been playing a regular performance week.  Exactly what Univision used this space for is unclear, but press statements affirm that the network used the theatre for upfront presentations.

In anticipation of this dark period, the producers of Kinky Boots – Daryl Roth and Hal Luftig – adjusted the performance schedule in weeks leading up to the break.  As a result, the weekly gross reports show an extraordinary decline for Kinky Boots.  In the week ending May 11, 2014, the show only grossed $668,658.  Though this may not be that low for other shows, even for other musicals, that represented a loss for Kinky Boots of $808,892 from the week before, when it earned $1,477,550.  The highest weekly gross that the show has earned thus far is $2,247,240, when it played nine performances in the week ending December 29, 2013.  As for eight performance weeks, its weekly gross record is $1,912,568 from the week ending December 1, 2013, when it made an extraordinary 124.61% of its gross potential.  Nonetheless, the show has still been grossing well above one million dollars throughout all of 2014 so far, and it looks to continue to be a favorite pick among visitors to New York City.