Sting’s First Broadway Effort
On October 26, 2014, The Last Ship opened at Broadway’s Neil Simon Theatre. It had been running in previews since September 29, 2014. With music and lyrics by 16-time Grammy Award winner Sting, the musical has a book by John Logan (Red, I’ll Eat You Last) and Brian Yorkey (Next to Normal, If/Then). Furthermore, the show is directed by Joe Mantello (Casa Valentina, Other Desert Cities) and choreographed by Steven Hoggett (Once, Rocky). The show tells the story of the citizens of an English seafaring town whose shipping business is on its last legs. The protagonist, a man named Gideon Fletcher, left home as a young man to seek greater adventures, but returns to find that his father’s business is failing and his one true love has pledged herself to another. The denizens come together in a grand collaborative effort to build one last ship, representing the dream that they have shared and their passion to keep it alive despite the hardships they are facing. Sting crafted this musical following his own experience growing up in Newcastle, and it shares a name with his eleventh album, The Last Ship, which came out in September 2013. This is the first time Sting has written a show for the stage.
The Reviews Are In
The reviews are in, and critics are mixed in their appreciation of the show. Charles Isherwood of The New York Times deemed it ambitious and earnest, but couldn’t help but criticize it for being unfocused. There are two conflicting storylines – the romantic subplot and the main story of the seafaring town’s struggle – and they never come together in a coherent or satisfying way. He lauded the score for being one of the best composed by a Broadway outsider (that is, a singer-songwriter or otherwise established musician trying his or her hand on Broadway), which is a kind of underwhelming compliment. And though he appreciated the performances of the talented actors, he acknowledged the show is disadvantaged by its somber themes in comparison to the peppier shows competing for ticketbuyers’ attention. David Cote of Time Out New York, on the other hand, was more positive in his review. He called the show fervent and glorious, and yet he still admitted the book was lacking in comparison to the score. Mark Kennedy of the Associated Press appreciated the testosterone level of the show, and was enervated by the score and the story both. David Rooney of the Hollywood Reporter praised the show for returning to the concept of the original Broadway musical, with true soul in its roots, although he was still on the fence about the show’s overall success.
Struggling at the Box Office
Though more than a week has passed since these reviews came out, theatregoers do not seem to be encouraged to purchase tickets due to their increased awareness of the show’s existence. In the week ending November 2, 2014, the show grossed $495,069, which was actually a decrease of $51,845 from the week before and the show’s lowest weekly gross to date. This represents only 39.82% of the show’s gross potential, with an average paid ticket price of $78.17. Perhaps the show needs to discount more, but that will only take it so far. With mixed reviews, less than upbeat themes, and a highly competitive Broadway season full of Hollywood stars and compelling musical brands, The Last Ship may have a hard time staying afloat for very much longer.
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