Alan Cumming and Kristin Chenoweth Host at Radio City Music Hall
Last night, the 69th Annual Tony Awards took place at Radio City Music Hall, hosted by Alan Cumming and Kristin Chenoweth. After much excitement, the winners were revealed, amidst many gorgeous musical numbers performed by shows that were nominated, as well as by shows that received no nominations. At the end of the night, the final and most anticipated award was announced: Fun Home took home the Tony Award for Best Musical. Arguably the most prestigious and meaningful award among a list of huge honors, this award will ensure that Fun Home continues to run for at least another year if not many more. After transferring from the Off-Broadway Public Theater, Fun Home has been playing at the small Circle in the Square Theatre since March 27, 2015. Though it has been playing to sold out houses, it has not been reaching the top of its money earning potential. This past week, the week ending June 7, 2015, it made only 87.60% of its gross potential. That is sure to change immediately, as the tiny venue can only accommodate 776 people, by far the smallest house on Broadway. Time will tell whether the show will need to transfer to a larger venue to meet demand, or whether it will just become an extremely tough ticket.
The other very prestigious honor at the Tony Awards is that for Best Play, which was earned by The Curious Incident of the Dog in the Night-time. Having transferred to Broadway from the National Theatre in London, this show took home 5 of the 6 awards for which it was nominated. In addition to Best Play, it won the awards for Best Direction of a Play for Marianne Elliott, Best Actor in a Leading Performance in a Play for Alex Sharp, Best Lighting Design of a Play for Paule Constable, and Best Scenic Design of a Play for Bunny Christie and Finn Ross. As for revivals, the award for Best Revival of a Play was earned by Skylight, which did not earn any of the other awards for which it was nominated. These include three acting awards, for Carey Mulligan, Bill Nighy, and Matthew Beard, none of whom took home an award for their performances, as well as the award for Best Direction, which Stephen Daldry lost to Marianne Elliott. The award for Best Revival of a Musical was given to The King and I. That show also earned the award for Best Actress in a Leading Role in a Musical, given to Kelli O’Hara. This is the sixth time this wonderful actress has been nominated for a Tony Award, and the first time that she won. The award for Best Actress in a Leading Role in a Play was given to Helen Mirren for The Audience, and the award for Best Actor in a Leading Role in a Musical was given to Michael Cerveris for Fun Home. Finally, Sam Gold took home the award for Best Direction of a Musical, also for Fun Home.
Writing and Composing Awards
Whereas the creators of straight plays are honored through the awards for Best Play and Best Revival of a Play, separate awards are given to the book writers, as well as the composers and lyricists, of musicals. These awards are in addition to the awards for Best Musical and Best Revival of a Musical, which are generally accepted by the producers. The award for Best Original Score was given to Jeanine Tesori and Lisa Kron, who wrote the music and lyrics respectively for Fun Home. The award for Best Book of a Musical was also given to Lisa Kron for Fun Home. Whereas this year the award for Best Musical served basically the same purpose as these two awards, sometimes the recipients do differ. In this case, the three separate honors proved irrefutably that Fun Home is the most exciting new musical of the year. Something Rotten!, which was the only show nominated for Best Musical not based on a previous work, was only recognized once, when Christian Borle took home the award for Best Performance by an Actor in a Featured Role in a Musical. Still, that show was nominated for a total of ten awards, which is certainly no small honor. As for An American in Paris, which was considered to be the next most likely show to win Best Musical, it only took home the awards for Best Choreography for Christopher Wheeldon, as well as Best Orchestrations, Best Scenic Design, and Best Lighting Design, showing that the Tony voters ultimately considered it to be a beautiful ballet show, but not dramatically substantial enough to win the highest honor of the event.