
The Rosie
O Donnell Show
Is this her
final answer? Sources say Rosie ("I'm leaving and I'm not kidding")
O'Donnell is Looking to the possible syndicated version of Who Wants to Be
a Millionaire? When and if O'Donnell gives up her Warner Bros. talk show.
Rosie is a a huge Millionaire fan and would arguably be a good fit for stripped
version of Millionaire, a project still in the speculation phase for Buena
Vista Television.
An O'Donnell spokesperson
admits only that she has had conversations about doing another TV show with
Millionaire executive producer Michael Davies. Rosie regularly talks about
leaving her day-time chat show when the contract expires after 2002, and insiders
say a syndicated Millionaire would debut a earlier than that. Buena Vista
would not comment
Miracle
in the making - Suessical
Shortly after the dismally unentertaining musical Seussical opened on Broadway
last winter, the ubiquitous talk show host and would-be actress Rosie O'Donnell
announced that she would be temporarily taking over the lead role in the play.
The $10.5 million show, a haphazard pastiche of various famous Dr. Seuss stories,
had been savaged by critics when it debuted in late November.
At the time, the consensus seemed to be that the story was somewhat pointless,
the score undistinguished, and the acting not quite up to par. Much of the
criticism was directed at the star, the gifted but completely miscast David
Shiner, a professional clown and alumnus of the renowned Cirque du Soleil.
Though a gamer, Shiner was saddled with a complete inability to act, sing,
or dance. That combination would sink any Broadway production.
For obvious reasons,
O'Donnell's decision to step into the breach was greeted with glee by the
play's embattled producers. Seussical ticket sales immediately exploded; the
New York Times reported that O'Donnell's presence in the role of the Cat in
the Hat could triple the show's daily take. Meanwhile, Shiner took a much-needed
vacation in Europe.
It is a measure of O'Donnell's impact as a cultural monolith that her intervention
in a crisis such as this should reap immediate financial rewards for the various
participants. For years, O'Donnell has been a champion of shallow, critically
maligned, middlebrow entertainment, and what she lacks in sophistication and
taste she more than makes up for with pluck. What she's demonstrated is that
she can not only move a market, but almost single-handedly sell the public
a product it did not previously want.
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